Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”

CAMELOT is the example of a group of talent working together to create an amazing experience for the audience.

The Bechdel family has a funeral home (dubbed Fun Home by the kids) and also a not-fun family home.

Les Canards Chantants (“the singing ducks”), a renaissance polyphony voice ensemble, was born in England but is now based in Philadelphia.

The School of Pennsylvania Ballet presented its 2018 annual performance at the Prince Theater on May 19 and 20.

Yannick Nevet-Seguin conducted the Philadelphia Orchestra in a semi-staged performance of Puccini’s TOSCA

Pennsylvania Ballet closed its 2017-2018 season with George Balanchine’s masterpiece, JEWELS

What was on the stage was recreation of what exists in the universe: organisms; minerals; plants; animals that breath, live, and recreate.

Even though the film is rather plain, the central characterization makes this breezy beach-read of a movie a thorough joy.

Allens Lane Theater company, directed by Mariangela Saavedra offers an evening of community fun with I HATE HAMLET, a lighthearted comedy about theater’s favorite topic: theater. The piece was written…

All this dilettanting around town can make a critic hungry

There are many good comedies out there, but not many where the weight of tragedy crests and wanes beneath the laughter.

nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again to bring CARMEN to a nearer past, set in a beautiful Havana-esque 1950’s.

This is difficult review to write since almost anything I’d say would be a spoiler. I can say this much: Go see it.

Is there more still left in the playwright’s head that didn’t make it to the stage?

The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset.

Freda Payne does some lovely singing in ELLA: FIRST LADY OF SONG, a biographical tribute to Ella Fitzgerald

Toby Zinman gives her thoughts on the new Middle East galleries at the University of Pennsylvania Museum of Archaeology and Anthropology

From modern to historic, tragic to fantastic, THE WOMEN OF IRELAND views the feminine from many angles, creating a fleshed out sculpture of Irish life.

Pennsylvania Ballet’s fifth program of the current season is a historically intriguing.