An inventive and terrifying take on a classic ghost story

Shuchman and Johnson take us through the trenches of psychological warfare with unforgettable performances

Alfred Jarry, Doctor Faustus, and Punch & Judy combine in hilarious puppetry.

An ambitious, unfinished work by one of Philadelphia’s best.

Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

The best bartenders remember you by the names of the cocktails you drink.

How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?

Relevant themes and ideas rarely seen on an opera stage

The Fringe is an excellent place for companies to mount political protest plays

The story of a third-wave feminist / lefty peace activist unable to resist her essentially Orientalist fantasies

I, PEASEBLOSSOM is a lark, even compared to its light-hearted inspiration, A Midsummer Night’s Dream.

The promise of “something for everyone” is both too little and too much.

It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet.

A beautiful spectacle, full of humor, sadness, joy and handstands

How did Kellyanne Conway go from Hammonton, New Jersey blueberry-packing champ to the first woman to manage a successful U.S. presidential Campaign?

TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake.

Asya Zlatina’s new work STORM is sophisticated and well-done.

Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live .—”Resumé” by Dorothy Parker…

How could so many juries acquit so many killers of unarmed African Americans.