VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.

EM Lewis accomplishes two simultaneous intentions—to tell a story theatrically and to spur perspective on guns.

Alil Vardar’s THE DIVORCEES CLUB, a comedy from France, has crossed the Atlantic for its USA premiere at Penns Landing Playhouse.

It may be daunting for theaters to produce the original theatrical source for a well-regarded movie, but Lantern Theater Company’s DOUBT shows why some plays are worth reclaiming for the stage.

Shanahan writes that her research focuses on new movement language that expands the notions of body beyond those prescribed by Western approaches to dance. N

Jen Silverman’s play tells the story of a young woman who has moved to London to escape the dangers of being a lesbian in South Africa.

PRIVATE LIVES, as written by Coward, is funny because it exposes the savagery that exists beneath the polished façade of the English upper class.

A thrilling, thought-provoking, wonderfully heart-wrenching play now receiving its world premiere by InterAct Theatre Company.

David Mamet’s amusing A LIFE IN THE THEATRE uses the simple interplay of two actors backstage at a repertory company, to talk about life outside the theater.

What occurs in a theater when sex happens? Ivo Dimchev’s FEST and Florentina Holzinger and Vincent Riebeek’s KEIN APPLAUS FÜR SCHEISSE present two very different looks.

Campbell’s production allows us to see the raw humanity in these people—or, in many cases, the lack thereof.

There are so many layers to uncover in this work. It is a smart and clever piece; more performance art with humor and drama than a traditional comedy.

Get yourself a glass of wine and enjoy Porter’s musical repartee and stylish insinuation, the swell costumes, and the sophisticated atmosphere.

Did anyone anywhere actually believe that being photographed would take away the soul, or is that the kind of ethnocentric nonsense we need good foreign journalism to counter?

Why has STOMP, with its pedestrian costumes and trash yard set, stood the test of time?

For the latest installment in their tradition of performing literary family classics for the holidays, Quintessence Theatre Group brings ALICE’S ADVENTURES IN WONDERLAND and its parade of beloved batty characters to Sedgwick Theater.

Ordinarily I wouldn’t recommend JUNK for children, but the company’s 1.1 Holiday Revue Special is just fabulous.

Presented in variety-show style with skits, songs, and improv sessions, this show is downright funny.

A budding 50s guy group that met an untimely end in an accident find themselves out of their heavenly digs and back on Earth – in front of a live audience.

Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.