As we enter the season of unpredictable weather, go to Act II to get their take on the warm and fuzzies mixed with the cold shoulder.

We like our fantasies to be readily identifiable as such and to be realistic in their details.

The exuberant choreography was spectacular, the dancers striking, and the dramatic finale stirred the viewers’ imagination.

The film explores the lengths that someone will go just to save their reputation and/or bank account.

Naomi Orwin asks: Would a woman have envisioned a different Nora? A different Torvald?

A review in words and sketches.

The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.

Not quite “Sing, oh muse, of the rage of Achilles.”

Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.

From Portugal comes what is easily the funniest film of 2018

Civilization has collapsed but The Simpsons is still going.

In this world, space isn’t the final frontier. It’s the California desert post-gold rush.

Dan Scully reviews the latest movie from the director of The Lobster.

Like all good thrillers, THE GUILTY weaves in current issues from the real world,

The thrill of a big show-biz production and the feeling of authenticity

Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…

A film with a concept you didn’t know you needed

The best films are those which afford the viewer an inside look into a life experience different from their own

Based on a Murakami short story, BURNING clocks in at 148 indispensable minutes.

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?