The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?
Written by Welshman Dylan Thomas in the 1950s, A CHILD’S CHRISTMAS IN WALES is every nostalgic Christmas trope with song thrown in, and it’s totally delightful.
HANDLE WITH CARE is brilliantly seasoned with humor—the type found when differing cultures collide.
If your dancing shoes aren’t quite up to the task, this show will do the trick.
There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.
Inis Nua Theatre Company’s 2011 breakout hit DUBLIN BY LAMPLIGHT returns to the stage in partnership with Drexel University’s Mandell Professionals in Residence Project
As a pioneer dancer and choreographer, Martha Graham established the root of modern dance almost single-handedly.
Thoughts on two shows, HEISENBERG and VIETGONE, under the auspices of the Manhattan Theatre Club.
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.