In the eyes of director Alexander Burns this doomed romance never stood a chance.
GYPSY is an often produced classic for good reason and is terrific as Mama Rose in the Media Theatre’s production.
Civilization is not easy to maintain. One knock and the lapse of a moment can set it off kilter.
A refreshed rendition of Verdi’s tragic opera features the impressive house and role debut of Lisette Oropesa as the titular “fallen woman” and a stunning design that purposefully pairs the distant past with recent times.
A curiously performed version of Arthur Kopit’s unnecessary rearranging and cheapening of The Philadelphia Story.
Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
The dark space at the headquarters of Fringe Arts hosted a kaleidoscope of blackness. Sad blackness. Angry blackness. Rescued blackness. Incarcerated blackness. Lost blackness. Dead blackness.
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
Stein makes you notice things about the Iron Factory that you would not have noticed before
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
Sothis devises experimental theater to call attention to collective and conscious freedom.