A play of little importance

Time travel as spiritual reality and a throbbing moral obligation

Ritchie is celebrating a welcome return to form, complete with bullets, Brits, and enough creative uses of the word “cunt” to make your grandmother shake her head in shame

Johnnie Hobbs Jr. stars in a biographical play about Supreme Court Justice Thurgood Marshall

David Hare has the uncanny knack of being able to talk out of both sides of his mouth.

The precision and sense of drama makes you almost forget this is a concert and not a fully staged production.

Maybe one day I’ll be able to scrape its rancid essence from my memory entirely. 

“In the realm of the unknown, kids and adults have pretty much the same needs: courage, resilience, protection.” 

The three gems sound quite modern more than 100 years after they were written.

Is it anachronistic to seek out Renaissance music in this age of cybernetics?

A brilliant NUTCRACKER shows the company’s heightened artistry.

Philadelphia gets a visit from Bikini Bottom in Spongebob the Musical.

An unexpected holiday show from BalletX

A high concept, a solid design, and more than a few creepy moments rooted in existential terror, but struggles to fill a feature-length run-time

Takeaway: Bring your kids to this unique Philadelphia area tradition!

Director Sammi Cannoid brings a lot of thought to the Webber/Rice juggernaut EVITA. Can the show’s libretto handle it?

A terrifying yet starkly beautiful world

Jeremy O. Harris’ brilliant SLAVE PLAY is designed to shock, provoke, and trigger. It succeeds on all fronts.

A bold, visceral performance giving the strong script its due.

The style—despite a major cast—might be best described as wooden realism