We caught up with Bhob Rainey to learn more about his background and his work on O Monsters First Draft.
The cabaret show is composed of an entertaining collection of songs written over the years by longtime collaborators and life partners.
The 16-day celebration of art showcasing a breadth of local and international performances and installations presented at locations across Philadelphia.
Philly’s own, new, funky slice of psychedelia performed at the Mothership.
Multi-talented theater artists Aaron Cromie and Emily Schuman formed Chickabiddy in 2015.
A collection of short pieces by a number of different emerging artists from various disciplines on the subject of loneliness.
Interview with Christopher Colucci about the making of a holiday
Tempesta di Mare is teaming up with Choral Arts Philadelphia and Piffaro Renaissance Band to perform selections of Christmas music from the Court of Dresden.
From Assisi to Philadelphia: U.S. premiere of Italian cantata celebrating the extraordinary life of Hildegard von Bingen
Philadelphia is in for a musical treat: an Italian cantata based on original writings of Hildegard.
A polish director and a polish actor project a new image of the composer by playing his two piano concertos with an orchestra and an actor playing the piano part.
Opera Philadelphia announces its new cutting-edge direction with a twelve-day urban opera festival that will debut in September 2017.
Frédéric François Chopin’s expressive and technically demanding piano concertos are among the finest in the classical music canon. So naturally, Polish actor Barbara Wysocka and director Michael Zadara (who make up the group…
Mendelssohn Club of Philadelphia opens its 142nd season welcoming artistic director Paul Rardin with three psalms by Mendelssohn, a world premiere, and Mozart’s Mass in C.
Ken Ludwig brings four of the outstanding characters from Lend Me A Tenor from Cleveland to Paris for more rollicking escapades.
A refreshed rendition of Verdi’s tragic opera features the impressive house and role debut of Lisette Oropesa as the titular “fallen woman” and a stunning design that purposefully pairs the distant past with recent times.
Octavia Butler’s dystopian future seems especially relevant. Can we find respite in comradeship and song?
The dark space at the headquarters of Fringe Arts hosted a kaleidoscope of blackness. Sad blackness. Angry blackness. Rescued blackness. Incarcerated blackness. Lost blackness. Dead blackness.
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.