Les Canards Chantants (“the singing ducks”), a renaissance polyphony voice ensemble, was born in England but is now based in Philadelphia.

Yannick Nevet-Seguin conducted the Philadelphia Orchestra in a semi-staged performance of Puccini’s TOSCA

nspired by by the resetting of their 2015 production of La Traviata, director Paul Curran and set/costume designer Gary McCann team up again to bring CARMEN to a nearer past, set in a beautiful Havana-esque 1950’s.

The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset.

One of Germany’s most popular singers launches his North American tour this week.

Philadelphia Voices is about a lot more than cheesesteaks!

Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger

Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.

If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.

An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.

The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;

The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.

Annenberg Center presented a program of music and theater, with a Beethoven performance by the Daedalus String Quartet and a staged reading by playwright Michael Hollinger

Sketch artist Chuck Schultz visited Manhattan to see a Houston company’s concert-theater interpretation of In Search of Lost Time.

Out of the ordinary, but a delight to experience.

The eclectic chamber group Mélomanie presented some of their characteristic “provocative pairings of early & contemporary works” in Saint Clement’s Church on Saturday

Thirty-two years ago, the other popular Broadway shows were A Chorus Line, Footloose, and Little Shop of Horrors. Unlike these musicals, LES MISERABLES has never really left the public conscience.

Although Spanish guest conductor has led the Philadelphia Orchestra once before, in 2016, he is a relatively new face for the Philadelphians.

The performance was more than the music – it was four friends who find that although they spend their lives practicing, they actually enjoy playing music together.

Four hundred musicians gathered at the 23rd Street Armory on Sunday night to perform on a wide array of broken instruments