The Heath Quartet plays Tippett, Britten, and Purcell
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
The show literally ROCKS!
An imaginatively textured musical performance in which music, sounds, and speaking are of a piece
A bittersweet lament on war’s insidious effects
Les Canards Chantants (“the singing ducks”), a renaissance polyphony voice ensemble, was born in England but is now based in Philadelphia.
Yannick Nevet-Seguin conducted the Philadelphia Orchestra in a semi-staged performance of Puccini’s TOSCA
The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset.
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
Philadelphia Voices is about a lot more than cheesesteaks!
Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
NINETEEN MOVEMENTS FOR UNACCOMPANIED CELLO (Scott Ordway): Sounding the Chestnut Hill Skyspace for a world premiere
The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.
Annenberg Center presented a program of music and theater, with a Beethoven performance by the Daedalus String Quartet and a staged reading by playwright Michael Hollinger