Music

Coverage of music in Philadelphia.

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Cowell, Cage, and Crumb: An avant-garde piano show at the Barnes

The Barnes Foundation is sponsoring a very high-level series of musical performances, which connect visual arts and music. Robert Whalen and his wife, Katherine Skovira, who are music directors for…

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The Voice Which Calls To Me: Abigail Mentzer returns to Philly with THE PHANTOM OF THE OPERA

Abigail Mentzer makes her return to Philadelphia as a ballerina in the national tour of The Phantom of the Opera.

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Daniel Matsukawa and Friends (PCM Society): Music review

Philadelphia Orchestra principal bassoonist Daniel Matsukawa was featured in a chamber music program presented by the Philadelphia Chamber Music Society and the Musical Fund Society of Philadelphia

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Opera in Sketch: GiariGiari Bel Canto Competition (Academy of Vocal Art)

The beauty on stage dressed every kind of part and made it possible to learn about the different styles of opera singing and acting.

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Performance in Sketch: BLACKOUTS: Twilight of Idols (Dickie Beau at the Crossing The Line Festival with Abrons Arts Center)

This US premiere of BLACKOUTS: Twilight of Idols brings together an audience on stage to witness the underbelly of The Crossing The Line Festival.

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America’s Diva Comes to Philadelphia: An interview with Renée Fleming

Renée Fleming has been at the forefront of classical music for three decades.

Un_Sung (Lauren Whitehead, center) surrounded by ghosts in We shall not be moved.(from left, Tendayi Kuumba, Caci Cole Pritchett, Michael Bishop and Duane Lee Holland, Jr.).Photo by Dave DiRentis

After the O17: A reflection on Opera Philadelphia’s brave endeavor

This bountiful menu of music had something for every taste

The Magic Flute, part of Opera Philadelphia's O17 Festival.

THE MAGIC FLUTE (Opera Philadelphia): An animated opera in the O17 Festival

A worthy anchor of Opera Philadelphia’s inaugural O17 Festival.

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CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review

CLOSE MUSIC FOR BODIES is sensual choral performance. Sixty-five of us follow the directions of the performers and position, and re-position, ourselves around the big, open space at the Christ Church…

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THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival

Opera Philadelphia challenges our preconceptions of opera with its O17 Festival

Two of several performers who spend some time on the floor during Michael Kiley's music-movement "experience" Close Music for Bodies. Photo by Adachi Pimentel.

CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review

Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness

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WE SHALL NOT BE MOVED (Opera Philly): 2017 Fringe review

Relevant themes and ideas rarely seen on an opera stage

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Your guide to Opera Philadelphia’s O17 Festival

Here’s everything you need to know about the musical smorgasbord that awaits.

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Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

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What’s Going On: Interview with Jarran Muse of MOTOWN: THE MUSICAL

Jarran Muse talks to Phindie about preparing for his role as Marvin Gaye.

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Soloists of the Metropolitan Opera (Philadelphia Chamber Music Society): The cream of the crop

Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.

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Inon Barnatan in recital (Philadelphia Chamber Music Society): Variation as the theme

Pianist Inon Barnatan stepped in for an ailing colleague, offering an exquisite and inventive recital that explored musical variations.

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Lighting Up the Kimmel Center: Daniel Alexander “Jomama” Jones talks BLACK LIGHT

2015 Kimmel Center Theater Resident alumnus Daniel Alexander Jones’s fierce alter ego Jomama Jones will make her Kimmel Center debut in BLACK LIGHT

Ying Fang as Susann, Layla Claire as Countess Almaviva and John Chest as Count Almaviva. Photo credit: Kelly & Massa for Opera Philadelphia

THE MARRIAGE OF FIGARO (Opera Philadelphia): Mozart at the Academy of Music

Opera Philadelphia’s new co-production of Mozart’s MARRIAGE OF FIGARO is fast, lively and a wonderful way to be introduced to opera.

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LA RONDINE (Curtis Opera Theatre): Puccini’s elusive swallows flies to Philly

Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.