Considering a trimmed, contemporized, and feminized version of a classic British drama

Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season

The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.

We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.

Would Sebastian would rather sleep with Hillary or Donald, what the hell his Fringe show was about, and what’s the worst way to cook an omelette?

Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.

Rev Shakes’ annual mainstage productions begin the final weekend of the Fringe and showcase a sensibility at home in the festival

Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).

The Idiopathic Ridiculopathy Consortium brings Eugene Ionesco’s hilarious, controversial, absurdist classic THE CHAIRS to the 2016 Fringe Festival. We talk to director Tina Brock about the show.

Our nearest neighbor, the red planet has a strong gravitational hold over us earthlings. Dani Solomon tells us about her trip there this Fringe.

If you dig imaginative and funny collaborative solo shows, Plays & Players theater is the place to go this Fringe Festival.

During WWII Brendan Tetsuo’s grandparents were interned in a camp in Topaz, Utah, a family legacy which led him to create his Fringe show WALK TO TOPAZ,

Is Lady Macbeth mad? Who has people figured out: Shakespeare or Freud? Answers from the folk behind BEDLAM: SHAKESPEARE IN REHAB

THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.

Some companies and performers are such staples of the Philadelphia Fringe Festival that it’s hard to imagine a fest without them. That’s surely the case with Brian Sanders’ JUNK

Some dudes explain why Shakespeare is totes hip with the ladies.

Hhere at Phindie, we’ve been long-time fans of Almanac Dance Circus Theatre, Philadelphia’s trailblazing contemporary acrobatics company, and their work seems to keep getting bigger and better. This Fringe brings , the…

Irina Varina combines dances, theater, performance art, and compelling personal-fictitious narratives of womanhood, sexuality, and longing.

Reggie Wilson spoke with FringeArts about finding inspiration for CITIZEN in the life and work of Zora Neale Hurston, his family history, and his travels as well as the evolution of the piece.

Annielille Gavino-Kollman’s piece focuses on the immigrant experience and includes a cast drawn from diverse cultural backgrounds, all of which influence the music and movement of the work.