Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.
This month, actor Summerfield showcases another side of her talents with MARY SHELLEY, a solo performance she created for rare book museum the Rosenbach.
Philadelphia native, Phoenix Best, comes full circle as she prepares to return to the area in the touring production of Les Misérables.
Gavin Gregory takes on the gritty role of “Mister” in the current North American tour of THE COLOR PURPLE.
Nicolo Fonte’s choreography for Beautiful Decay includes parts for two older dancers, Brigitta Herrmann and Manfred Fischbeck. Sketches by Chuck Schultz.
Lael Van Keuren and the cast of Finding Neverland fly into Philadelphia over the Thanksgiving holiday.
Jamieson Lindenberg is just one of 50 artists from 19 different countries who will be performing in Cirque du Soleil’s VAREKAI at the Liacouras Center November 22-26. Jamieson’s first contact…
Abigail Mentzer makes her return to Philadelphia as a ballerina in the national tour of The Phantom of the Opera.
Renowned choreographer Helen Pickett talks about her experience as a dancer and choreographer and her vision for younger people in the dance world
Renée Fleming has been at the forefront of classical music for three decades.
E. Ashley Izard tackles one of the most daunting roles in the American canon.
My Son The Waiter: A Jewish Tragedy is actor/comedian Brad Zimmerman’s hilarious and uplifting story about the perseverance and passion needed to ‘make it’ as an artist a
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire to direct in Philadelphia
Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…
Ginna Claire Mason talks about her dream role as Glinda in the national touring production.
GILBERT SANCHEZ speaks about his role as Ritchie Valens in the current production.
Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.
It’s been a banner month for local playwright Jacqueline Goldfinger.
Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
When the singing stops on Christmas Eve in bombed-out Europe: Sitting at my computer in Philadelphia, looking back
A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review
Support Phindie operations
