Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
An accomplished musician, Paul Curatolo’s love of the Beatles has driven him to master the character of McCartney.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.
This month, actor Summerfield showcases another side of her talents with MARY SHELLEY, a solo performance she created for rare book museum the Rosenbach.
Philadelphia native, Phoenix Best, comes full circle as she prepares to return to the area in the touring production of Les Misérables.
Gavin Gregory takes on the gritty role of “Mister” in the current North American tour of THE COLOR PURPLE.
Dance History Onstage: Pioneering dancers Brigitta Herrmann and Manfred Fischbeck in BEAUTIFUL DECAY
Nicolo Fonte’s choreography for Beautiful Decay includes parts for two older dancers, Brigitta Herrmann and Manfred Fischbeck. Sketches by Chuck Schultz.
Lael Van Keuren and the cast of Finding Neverland fly into Philadelphia over the Thanksgiving holiday.
Jamieson Lindenberg is just one of 50 artists from 19 different countries who will be performing in Cirque du Soleil’s VAREKAI at the Liacouras Center November 22-26. Jamieson’s first contact…
Abigail Mentzer makes her return to Philadelphia as a ballerina in the national tour of The Phantom of the Opera.
Renowned choreographer Helen Pickett talks about her experience as a dancer and choreographer and her vision for younger people in the dance world
Renée Fleming has been at the forefront of classical music for three decades.
E. Ashley Izard tackles one of the most daunting roles in the American canon.
My Son The Waiter: A Jewish Tragedy is actor/comedian Brad Zimmerman’s hilarious and uplifting story about the perseverance and passion needed to ‘make it’ as an artist a
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…
Ginna Claire Mason talks about her dream role as Glinda in the national touring production.