Give the rhinos a chance: Interview with the actors of Ionesco’s RHINOCEROS

I asked cast members of the Idiopathic Ridiculopathy Consortium (IRC), Philadelphia’s absurdist theatre (since 2006), founded by artistic director Tina Brock, what Ionesco’s RHINOCEROS brought up for them as actors and as people. The range of responses is as astounding as this production. A big thank you to everyone who participated in this Phindie interview.

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(L-R) Bob Schmidt, Michael Dura, Tina Brock (front), Tomas Dura and David Stanger in Eugène Ionesco's Rhinoceros. Photo Credit: Johanna Austin (www.austinart.org)

On becoming a RHINOCEROS: Interview with director Tina Brock 

Tina Brock, writer, actor, founder and producing artistic director of the Idiopathic Ridiculopathy Consortium (IRC) since 2006—Philadelphia’s only absurdist theatre company—holds degrees from the University of Maryland and West Chester University, works as a Standardized Patient Trainer at the National Board of Osteopathic Medical Examiners, and makes the impossible possible, year after year, with some of the most thought provoking and unusual productions.

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Kate Raines in THE BODY LAUTREC © Jacques-Jean Tiziou / www.jjtiziou.net”

Nudity or Crudity: a conversation with Mary Tuomanen about THE BODY LAUTREC

I asked Tuomanen, who directed the piece, to talk about The Body Lautrec. On extremely short notice, she agreed (“Aaron called me, said someone was upset about Lautrec and you wanted to ask me some questions.”) We talk about filth, exploitation, agency, and other uplifting stuff.

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Fringe preview: Trajal Harrell brings Greek theater ‘Realness’

Some contemporary choreographers prefer not to explain, in concrete terms, what they intend their choreography to mean, but Trajal Harrell is happy not only to talk about his dance works, but also his creative process. In a phone interview from Berlin earlier this month, Harrell delved into the various aspects of his dance-theater opus Antigone Sr. / Twenty Looks or Paris is Burning at the Judson Church (L), before its opening as one of the centerpiece shows at 2014 FringeArts.

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