British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
Henrik Eger talks to director Tina Brock about this intriguing Fringe production.
Ferdinand creator and producer talks about his Fringe show NOT FOR PROFIT and the art of creating art in the non-profit world.
Olive Princes OF OUR REMNANTS is one of the premiere dance pieces of this years Fringe. She talks to Phindie about the literary inspiration and collaboration behind it.
Fringe Wayback Machine: Brain Shapiro revisits online predictions from 1995 in A FEW THOUSAND UPGRADES LATER
What did the future of the internet look like in 1995? This Fringe show takes a look.
Texan Death Squad Comes To Philadelphia: Bastion Carboni arrives at the Fringe with SOMETIMES CALLIE AND JONAS DIE
Épater la bourgeoisie! That’s what they say in Texas, and that’s the sensibility Bastion Carboni says he isn’t bringing here with his smart-mouthed Fringe show SOMETIMES CALLIE AND JONAS DIE.
Love’s Labour’s 1, Philadelphia Phillies 0: Shakespeare, the Fringe, and the Pope with Griffin Stanton-Ameisen
Griffin Stanton-Ameisen on LOVE’S LABOUR’S LOST, a FREE music-centered Shakespeare show running during and after the 2015 Fringe Festival
Bay Bryan talks about his queer at heart Fringe show and how Philadelphia is like Scotland.
Lies, damned lies, and theater: that’s what they say. Maybe. Jessica Creane is one Fringe creator/performer with a large CAPACITY FOR VERACITY.
With last year’s Fringe hit Marbles and her recent SoLow show Bicycle Face, Hannah Van Sciver has been building a reputation as a “smart, funny, and provocative” local playwright. This…
Daniel Park is a happy guy, and he’d like to make you happy too. First, he’ll give you a Sturburst, then he’ll invite you to unwrap it with him, then…
America has embarked on a complicated discussion about race and policing. How can a Fringe show contribute to this conversation?
Director John Schultz talks about his immersive staging of Shakespeare’s Macbeth: to a blindfolded audience.
Emilie Krause talks about her Fringe play, her work as an actor and devisor, and how she’s probably not a real-ife femme fatale.
An ALL-Black OTHELLO: Director Ozzie Jones talks about his “gloriously liberating” casting for Theatre in the X, part 2
In part two of our interview with Ozzie Jones, the director talks about his decision to cast an ALL-black OTHELLO.
Henrik Eger speaks to director Ozzie Jones about Theatre in the X and presenting Shakespeare in an area some call “the hood”.
Philadelphia Artists Collective has produced some of the finest works of the last few Fringe Festivals. Director Dan Hodge tells us about this year’s offering.
The creators/performers of THE LIGHT PRINCESS discuss the development of their adaptation of the 19th-century Scottish fairytale before its workshop production in the Fringe.
1 Actor, 1 Audience Member, 64 Shows, 10 Billion Possibilities: Sam Henderson’s 100 takes over the Fringe Festival
Sam Henderson is keeping the location and the subject of his Fringe show secret. In this interview, Phindie tries to squeeze out a little more information.