Mark Mackner has been making supernatural thrillers in the underground Philly scene for almost 20 years now. His short film STUMP GRINDER has just been released online. He chats with…

Philadelphia’s oldest theater is also by far it’s most popular and financially secure. In a time when other large theaters are struggling to stay afloat, the Walnut Street Theatre maintains the largest subscriber base in the country. In the first section three-part series, Kathryn Behrman sits down with Walnut artistic director Bernard Havard and other local theater folk to consider the playhouse’s commitment to popular entertainment.

The Bearded Ladies extend their proverbial 15 minutes of fame this week with the opening of their cabaret residency of ANDY: A POPERA in the lobby of the Wilma Theater,…

Sebastian Cummings has always been a little edgy. A military brat, a black man in the white suburbs, a Jamaican American in African American black society, a gay actor in a straight-role world—throughout…

Wednesday, July 16th, The Bearded Ladies and Opera Philadelphia will lay down stakes in the lobby of the Wilma Theatre, and, for two short weeks, perform an hour-long cabaret inspired by the outrageously influential life of Andy Warhol. Featuring original music by Heath Allen.

Let me say it up front: Unconstitutional, running through July 6th at the Philadelphia Theatre Company, is a tour de force stronger than the Tour de France.

The famous Quinn, familiar to Saturday Night Live fans, presents his observations on the quirks of life in the U.S. at such a neck-breaking pace that I thought I was participating as a bidder at an auction, where the auctioneer speaks at world record speed so that I, as one of his “bidders,” was unsure at times if I was buying or not. So as not to miss his many powerful insights, wrapped in highly addictive humor, I was forced to listen carefully. And listen I did.

King’s teaching philosophy utilizes his firsthand knowledge of the different facets of the dance industry to provide his students with a realistic view of life as a professional dancer.

“You will be broken and put back together again,” as one theatregoer commented on Facebook.

Given the explosive nature of this extraordinary play, I thought it important to talk to the playwright directly.

Josh McIlvain’s interview with Charlotte Ford “The untenable career of a successful Philadelphia theater artist” sparked some soul-searching among Philadelphia performers. They met on June 23rd to discuss.

Pennsylvania Ballet is finishing their 50th Anniversary Season with victory lap programming, but it has played out as more than just a milestone date, but a distinct turning point for the company‘s future.

In this final episode, we talk about people talkin’ ‘bout bodies in West Philly and a double-bill: dark skies and stalkers in South Philly.

“It’s really hard to do acting and make a living unless you’re really good—and a Caucasian man.”

In episode ten, we’ve got nothingness Goethe in a secret secret place, grief clowning in West Philly, and autobiographical anatomy in Rittenhouse.

In the SoLow Fest this year, some 30+ artists are creating cheap cheap theater in formal and informal spaces around the city. Challenging the idea that budget = quality, artistic…

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

SoLow is about play.

There are some plays in it.

There are some . . . things . . . in it which are not plays.

But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.

To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

SoLow is lo fi.

SoLow is lo stress.

SoLow is lo budget.

SoLow is happening, and to give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have modern dance in center city, astral projection installation performance in Kensington, and #sexualharassment on #Twitter.

New Jersey native Erik Ransom developed a huge following in Philadelphia with his original work COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS, for which he wrote the book, music, and lyrics, and also starred as glam-rock protagonist Damian Salt.

SoLow Fest 2014 sweeps the city this June. Floods of performances. Floods of performers. Get swept up!

To give you a clearer picture of what’s in store, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This episode we have Ingrid Bergman in South Philly, theatrical memoir on Vine, and porn at Quig’s.

Phindie talks to Manon Manavit, a future star of Philadelphia performing arts, before her debut show in the city. She just relocated from Montreal, where she worked with Cirque Du Soleil.