Interviews

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This Number is in Service: Mike Durkin gives us the SoLow down on FOR A GOOD TIME CALL

Mike gave Phindie the SoLow down (and the number) for this brilliantly conceived new work.

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[podcast] “Siding with Time” – R.Eric Thomas

Today’s podcast welcomes back R.Eric Thomas to talk about the upcoming production of “Time Is On Our Side” which, he created with Simpatico Theatre Project.

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Growth, Cockroaches, and *not* Micropenises: Julius Ferraro and Dani Solomon give us the SoLow down on MICROMANIA

We got the SoLow down on this compelling original piece from writer/actor Julius and director Dani Solomon.

Anthony Mustafa Adair. Photography by Jacques Jean-Tiziou.

The Power of the Invisible Hand: Interview with Anthony Mustafa Adair as Dar, a Pakistani captor, at Theatre Exile

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

Ian Merrill Peakes (left) with Maboud Ebrahimzadeh in THE INVISIBLE HAND. Photo by Paola Nogueras.

Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

Ian Merrill Peakes and Maboud Hamidzadeh. Photo by Paola Nogueras. 3

Taken Hostage By a Play: Interview with Ian Merrill Peakes on THE INVISIBLE HAND

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

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The Invisible Hand of Director Matt Pfeiffer

Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.

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Rejected Thoughts Emerge at SoLow Fest

A SoLow Fest exploration of what makes us vulnerable, joyous, or angry.

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Putting the Vulnerable Thing Out There: An interview with Chelsea & Magda

Female friendships, aggression, integrity, Lisa Frank, light-up sneakers, and more.

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[podcast] J. Paul Nicholas on THE INVISIBLE HAND

J. Paul Nicholas on the politics and conversations that surround this well-executed production.

2. Mechanical, ROMEO AND JULIET, Clay Westman, Brianna Lopez

The Mechanical Theater Discusses its New Site-Specific Take on ROMEO AND JULIET

The cast, director, and artistic director of Mechanical’s upcoming production of Shakespeare’s classic give a sneak peek at their original site-specific adaptation.

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Ireland Rising: Irish Heritage Theatre actors respond to THE PLOUGH AND THE STARS

Nine Irish Heritage Theatre actors talk about the Irish roots of Sean O’Casey’s THE PLOUGH AND THE STARS.

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Devised Theater Meets Disability: Matt Purinton talks EXPOSURE

Collaborative performer Ben Grinberg sat down with Matt Purinton to talk about the EXPOSURE project and what he hopes to share with audiences.

Jenn Kidwell. Photo by Johanna Austin

We don’t study history, we just keep reenacting it: a conversation with Jenn Kidwell

Jenn Kidwell talks history and roleplaying ahead of the relaunch of UNDERGROUND RAILROAD GAME at FringeArts.

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Set the Controls for the Heart of the Moon Jellies: Interview with a Philadelphia psychedelic band

Phindie’s recent review of a concert by Philadelphia psychedelic band The Moon Jellies attracted many readers, so we decided to follow it up by interviewing the band members.

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[podcast] Jen Childs on I WILL NOT GO GENTLY

Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.

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Photo by Kim Carson.

Working with the First National Congress in 1776: Interview with director-choreographer Jennie Eisenhower, part 2

In this, the second of a two-part interview, we talk to Eisenhower about the history behind 1776: The Musical

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1776 And All That: Interview with director-choreographer Jennie Eisenhower

In this, the first of a two-part interview, we talk to Eisenhower about her background and work on the production.

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Not Going Gently: 1812 rocks with an album and a play

Harriet Power sits on a stool at a lightly stocked semi-circle bar in the corner of a spacious music room a block from the Ninth Street Market. She’s watching as…