I’d still like to know more about pasta
This is Fight Club by way of Napoleon Dynamite
At once a financial thriller, a workplace comedy, and a character study of obsessives, this strange curiosity fails to commit to any one tone.
A new movie gets its world premiere in Philadelphia
What should’ve been a paean to girl power is instead a bland, by-the-numbers product of the Marvel machine.
The film explores the lengths that someone will go just to save their reputation and/or bank account.
The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.
In this world, space isn’t the final frontier. It’s the California desert post-gold rush.
Dan Scully reviews the latest movie from the director of The Lobster.
Like all good thrillers, THE GUILTY weaves in current issues from the real world,
Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…