Ant Hampton talks audience, space, and the experience of the extra ahead of Fringe Festival show, THE EXTRA PEOPLE
“It’s almost like this isn’t really a ‘show,’ more some kind of process.”… Ant Hampton talks THE EXTRA PEOPLE
Top Philly theater writer Deb Miller previews the best of the 2015 Philadelphia Fringe Festival.
How do you get your play accepted to PlayPenn? Founder Paul Meshejian gives the low down to the selection process.
Everything you always wanted to know about PlayPenn, but were afraid to ask: Interview with founder Paul Meshejian, Part 2
Part 2 of a three-part interview with PlayPenn founder Paul Meshejian.
Glen Foerd, northeast Philly’s Gilded-Age mansion, celebrates the Roaring ‘20s with “Jazz Age on the Delaware” on August 1. The event includes vintage music, dancing, lawn games, and more.
PlayPenn, Theater, and “A comfortable place for misfits”: Interview with founder Paul Meshejian, Part 1
It’s unfashionable to suggest there’s such a thing as human nature, but we are “Homo narrans”—Man, the story teller. The theater will always be with us—as a sacred space.
Langston Darby is continuously working. “Double time. All the time.” This September, one of the strongest actors in Philadelphia is departing for the Atlantic Acting School in New York
Performers past and present share their thoughts and memories on a decade of Shakespeare in Clark Park.
Jumping Out Of Airplanes: Trey Lyford on theater, life, and DOLL’S HOUSE at the 2015 Fringe Festival
This fall, Lyford takes a break from his typical role as a contemporary clown and returns to Fringe Festival in Jo Strømgren’s recreation of Henrik Ibsen’s famous play, A Doll’s House.
“In film,” pronounced Ivo van Hove, “the director is the god of his creation.”
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
Even a brief encounter with Allen Radway reveals the intelligence, sympathy, and generosity of spirit evident in his theatrical work. We talk to him ahead of his newest, CCTCs THE TEMPEST.
Is it adaptations of familiar works, or is there another, more intimate kind of musical that can be done without gadgets and effects and superheroes flying across the stage?
What Do Indie Rock and Contemporary Ballet Have in Common? Musician Chris Kasper tells us ahead of his show with BalletX
Talented indie folk rocker Chris Kasper prepares for a show with Philly’s top contemporary ballet troupe, BalletX.
Moonwalking on the Moon: Lindsay Smiling on Michael Jackson, Philly theater, and the inaugural production by Orbiter 3
This week marks a landmark in independent theater in Philadelphia: the inaugural production by Orbiter 3, a new producing playwrights collective. Over the next three years, the company will produce six…
A Woman’s World: A conversation with Brenna Geffers, Lane Savadove, and Adrienne Mackey on bringing a new focus on women to Philadelphia theater
For the theme of its 2015–16 season, EgoPo Classic Theater has announced it will honor American female playwrights: Lillian Hellman, Clare Boothe Luce, and Sophie Treadwell.
Frank E. Reilly’s latest play, POST HASTE, just finished its world premiere run at the Hedgerow Theatre. Henrik Eger interviewed the playwright about his works.
A Leap of Faith: Photos and words from the creative team behind Almanac’s newest dance circus theater
The collaborators on Almanac’s newest show of dance circus theater talk about the joys of working for this creative group. Photos by Jenna Spitz.