Features

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The fault, dear Brutus, is Super Racism: Makoto Hirano Criticizes Lantern’s Julius Caesar

“Will it be in yellow face,” my friend asked when I told him about Lantern Theater Company’s decision to stage Shakespeare’s Julius Caesar in feudal Japan, when what the meant was “in kimonos with some Japanese screens and music” seemed somehow culturally tone deaf.

Join the Battle: Team Sunshine & Immersive Arts Involvement

On their website, Team Sunshine Performance Corporation calls themselves “an unstoppable force for good.” Among other things, they love play fighting and projects that sound insane. In that vein is their current collaboration with Shakespeare in Clark Park, HENRY IV: YOUR PRINCE AND MINE.

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Photo Essay: Kyle Cassidy captures DANCING AT LUGHNASA (Curio Theatre)

Photographer Kyle Cassidy is a Philadelphia treasure. He has been documenting American culture since the 1990s, photographing goths, punks, cutters, politicians, metalheads, dominatrices, scholars, and alternative fashion, in addition to…

Joe Guzmán and Forrest McClendon in THE TRAGEDY OF JULIUS CAESAR at the Lantern, with set design by Meghan Jones (Photo credit: Mark Garvin)

On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR

Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.

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You’re Probably Missing Out: A tour of Kensington’s performance spaces

The performance spaces which have made Kensington their home (Walking Fish Theatre, Hella Fresh, Mascher Space, and fidgetspace) are remote, both financially and physically, from the city, yet still close enough to converse artistically with downtown venues and even to attract funding.

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Care to Dance? The Philadelphia dance scene is alive and well in 2014, catering to classical palates and avant-garde tastes alike

The Philadelphia dance scene is alive and well in 2014, bringing forth a series of diverse performances catering to classical palates and avant-garde tastes alike

Celebrating Shakespeare at 450: An Interview with The Philadelphia Shakespeare Theatre’s Carmen Khan

Carmen Khan has devoted much of her life and professional career to Shakespeare. She is well known to the Philadelphia theater community as the founding artistic director and long-time executive…

Matthew Neenan

BalletX’s Matthew Neenan downshifts for THERE I WAS

Earlier this month BalletX dancers had their pointe shoes ready for a rehearsal for Matthew Neenan’s ballet There I Was. The piece showcases how inventive, within and out of specific pointe shoe classicism, Neenan can be. Even though it is weeks before the opening There I Was looks ready, Neenan only moved around to cue a specific music change, apologizing to the dancers for the pause.

Rendering of the initial design for the FringeArts outdoor plaza (Photo credit: WRT Planning & Design)

FringeArts Progress Report: The latest on the High Pressure Fire Service Building of 1903

Since my initial tour of the new FringeArts headquarters in August 2012, the projected opening (originally set for the Spring of 2013, then for the 2013 Festival in September) has…

Tarell Alvin McCraney

Tarell Alvin McCraney’s Brother/Sister Trilogy: Philadelphia audiences get a great look at an acclaimed new playwright

Allen Radway, James Ijames, and Daniel Student discuss Tarell Alvin McCraney’s Brother/Sister trilogy. All three plays in the series hit Philadelphia stages this fall.

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Roy Kaiser looks forward and back as Pennsylvania Ballet turns 50

Published by The Dance Journal. Reprinted with kind permission. Pennsylvania Ballet launches its 50th season this month with the celebrations, reunions and gala performances, but the company has already been…

Francesca Piccioni and Laura Sukonick rehearsing Rosenberg's HANNAH. Photo by Said Johnson.

A Philadelphia playwright you probably don’t know, but should

A hilarious and affecting world premiere by one of the best writers in Philadelphia is opening tomorrow, and you probably don’t know about it.

Photo by Kyle Cassidy.

How universal is Romeo and Juliet? Challenging hetronormative assumptions.

Shakespeare is timeless. Romeo and Juliet is a universal love story. You have probably heard those sentiments expressed before, but are they true? Well, it’s complicated. Shakespeare profoundly understood the…

Angela Smith as Harriet Smith, Trevor William Fayle as Mr. Elton, and Lauren Sowa as Emma Woodhouse in Lantern Theater Company's production of Jane Austen's EMMA (2013). Photo by Mark Garvin.

The Perfect Company in the Perfect City: REGENCY AND REVELRY at Lantern Theater Company

It’s now two hundred years ago that the famous line was published: “It is a truth universally acknowledged that a single man in possession of a good fortune must be…

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Revolution Shakespeare! The FIVE BEST Shakespeare plays according to artistic director Griffin Stanton-Ameisen

The FIVE BEST Shakespeare plays according to Revolution Shakespeare artistic director Griffin Stanton-Ameisen.

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NICE AND FRESH theater in Mount Airy

What a pleasant corner of Philadelphia is Mount Airy. A suburban urban neighborhood: trees and grass yards but also sidewalks and train lines; driveways and quiet but also co-ops and…

2014 Fringe Festival Philadelphia

The Best of the 2013 Philly Fringe Festival

Phindie‘s recent Critics’ Awards proved very popular. These awards used input from theater reviewers across town to compile a list of the best performers of the 2012/13 season. We considered…

Julius Ferraro, Phindie's coolest writer

Victor Fiorillo, A Doll’s House, and the role of the reviewer

A review by Victor Fiorillo of EgoPo Classic Theatre’s A Doll’s House got Phindie writer Julius Ferraro contemplating the role of reviewer. This is part of Phindie‘s ongoing series on theater criticism….

2014 Fringe Festival Philadelphia

2013 Philly Fringe Festival :: the MOST coverage and Six Picks for the Festival

As its mission, Phindie provides independent coverage of Philadelphia theater and arts, with a focus on independent theater. So the Philly Fringe Festival* is a perfectly aligned two-week event. With…

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Clowning and the inner clown

“… like scary circus clowns?” That’s the first thing everyone asks me when I tell them that I do clown. And I can’t blame them. A “clown” is popularly thought of as…