An iridescent light shining on a crater with life crawling out of it.

Chuck Schultz sketches one half of the “Censured” series of South African plays

Annie Wilson has proven to be among the freshest, funniest, and fearless choreographers in Philadelphia. She talks to John Rosenberg.

Grounds that Shout! (and others merely shaking), explores connections between faith, movement, race, and the body, with a focus on the African American religious experience.

“If you really look at dance, look at Soul Train. “

Raymond Croce, artistic director of South Camden Theatre Company, decided “he wanted to stage a play that would speak to a younger audience from across the Delaware Valley. One that…

Philadelphia Artist Collective’s’TIS PITY SHE’S A WHORE is running March 28-April 14, 2019 at Philadelphia Boys and Girls Choir 1336 Spring Garden street, and I was there to sketch it….

Lila Coogan transports us from the twilight of the Russian Empire to 1920’s Paris in her role as Anya in the touring production of Anastasia.

Henrik Eger interviews the star of Quintessence’s KING LEAR

The Sketchbook Reporter checked out a musical adventure from Dot Matrix.

A dog, a mystery and a curious mind! Austin Nedrow steps into the inquisitive mind of Christopher in The Curious Incident of the Dog in the Night- Time.

Henrik Eger thought he knew MOBY-DICK until he saw Robert Smythe as Ahab.

Sketching a preview of KYL/D’s upcoming NextMove Dance performances

Eri Yoneda caught a rehearsal for KYL/D’s new show at the Annenberg Center.

A long-form interview with Philly’s favorite solo theater artist.

Janis Stevens IS Katharine Hepburn in Kate: The Unexamined Life

A long-form interview with the resident playwright at Power Street Theatre.

Sketching RENT’s 20th Anniversary Tour

A long-form interview with actor and theatermaker LaNeshe Miller.

The Philly Pops roused the rhythm and blues, and the classical and traditional on the same stage.