Cameron Kelsall has some ideas for the new executive director.
Phindie met Katherine and Sarah online to get the lowdown on their collaborative project
A multipart new exhibition project exploring the detective, criminal, and all the analogs in between
The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.
A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York
A play with gorgeous graphics for its marketing just looks like it has its shit together. How does that happen?
Anthony Chan spoke with Phindie about his role as Prince Chulalongkorn.
Though thoroughly a part of the 18th-century architecture of Society Hill, the Powel House is more than just a historic artifact.
Cocktails, dinner, and top-class dance.
HE KING AND I is set in a time period of colonies and colonials.
“The American theater is chock full of inward looking plays that fester over small, personal family dramas”
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…
Roundabout Theatre Company’s Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
Opening Doors, No Matter What: OSLO playwright J.T. Rogers talks about the evolution of a new world classic, developed at PlayPenn (part 1)
Interview with J.T. Rogers on the journey from PlayPenn to Broadway.
Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.
Former PlayPenn interns come into their own as theater professionals.