The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
Author and actor Alexandra Naughton combines her two loves April 29 with a party for the premier of a new movie, CTRL ALT DEL.
The hills are alive with the sound of Danielle Lee James!
“I Can’t Kiss Myself Alone”: The Wit and Retro Style of Berlin’s Max Raabe and His Palast Orchestra. Interview by Henrik Eger
One of Germany’s most popular singers launches his North American tour this week.
It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.
Artist Chuck Schultz visits the Prince Theater for the latest show from KYL/D.
Doylestown native and Penn State grad Liam Fennecken is ready to rock and roll in the high octane musical SCHOOL OF ROCK.
Seeing the bodies and minds of Honji Wang and Sebastien Ramirez meld together during the performance proved visually moving for me.
Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.
No published or produced play has been the source for a Best Adapted Screenplay award since 1989.
Asya Zlatina and Dancers is a constant reminder for myself that Philadelphia dancers are connected and collaborating with each other.
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
Quintessence Theatre’s production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experiences directing Samuel Beckett’s classic.
Philadelphia natives Rob McClure and Maggie Lakis are returning home for SOMETHING ROTTEN.
A comedy little known in its native Britain has become a cult favorite in Germany.
V2: Creation Myth follows up and updated the themes from The Vagina Monologues.