The “one-and-done” premiere problem and filling more theaters through “rolling WORLD premieres”
Allentown native, Alix Croop, couldn’t imagine how her talents would translate to what she had seen in Cirque du Soleil’s Alegria when the show played at her college campus. At…
I was looking forward to catching Val Dunn and Jenna Kuerzi’s presentation on late-stage capitalism, JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM, ever since I first heard about it. It showed…
A review in words and sketch by Chuck Schultz and Yumna Tolaimate
From being bullied to falling in love with Judy Garland. Tyler Houchins takes us down the yellow brick road.
Sketches of the musical by Chuck Schultz.
Justin Geiss talks about working as a “swing” performer who can be called on to take the stage at a moment’s notice.
Phindie interviewed director and choreographer Bryan Koulman about the program and his passions for dance and music.
Lemire talks to Debra Danese about the unique challenges of bringing acrobatics and skating together.
There’s new performing arts festival in town: Trade School PHL/LAX runs June 5-8
Rennie Harris: Funkified is inspired by the funk music of his youth.
Sean Thompson returns to the Walnut Street Theatre in the new production of Legally Blonde: The Musical, an adaption of the hit comedy film.
Theater takes us out of the fictional world we occasionally mistake as real.
Broadway veteran Liam Tobin will lead the cast of Book of Mormon as Elder Price when the show returns to Philly this month.
Since he met ballet at age of 8 when his parents brought him to the Academy of Music to see the Nutcracker by Pennsylvania Ballet, Ian Hussey lived a life…
“It’s all a marathon, not a sprint”: Interview with Keith Illidge on Inis Nua’s production of UNTITLED
Tina Gill interviews Keith Illidge about his work and role in Inis Nua’s UNTITLED
An iridescent light shining on a crater with life crawling out of it.
Chuck Schultz sketches one half of the “Censured” series of South African plays