Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire to direct in Philadelphia

The audience gather together on two adjacent hill sides and in the middle is a stretch of grass,

Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…

From a fledgling weekend-long event, Philadelphia Women’s Theatre Festival (PWTF) has become an established part of the city’s theater calendar.

A three-day Gaga Workshop, which includes a class and repertoire, open to professional dancers and dance students ages 16-and-older, is coming to the Performance Garage

Ginna Claire Mason talks about her dream role as Glinda in the national touring production.

We get the sense that every brush with every passerby contains remarkable potential.

Chuck Schultz reviews in words and image.

Simpatico Theatre Company’s production of HIR by Taylor Mac challenges audiences to reconsider preconceptions of gender identity

Those fortunate enough to see both renditions of PARROT TALK witnessed in real-time flow the distillation of creative genius.

GILBERT SANCHEZ speaks about his role as Ritchie Valens in the current production.

The InterAct Theater goes behind the scenes of a working kitchen

This temporal moment is an instant visual image that leaves us with something once the performance is over.

Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.

Rebecca Wright brought out the cute and cuddly demeanor of the cast while still driving home a deep dark message

It’s been a banner month for local playwright Jacqueline Goldfinger.

The small cast at Curio Theatre play multiple roles in THE MASSIVE TRAGEDY OF MADAME BOVARY, a dramatization of Gustave Flaubert’s novel (read the Phindie review). Aetna Gallagher, Andrew Blasenak,…

“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”

Jarran Muse talks to Phindie about preparing for his role as Marvin Gaye.