For the last program of Pennsylvania Ballet’s 2015-2016 season, Angel Corella challenges both the dancers and the audience with the four experimental dances
Without being gratuitous Sanders’ doesn’t shy away from sexual explicitness on the dance stage, but he’s got the artistic goods (and humor) to back it up.
Choreographer Daniele Finzi Pasca has created an innovative circus-style performance inspired by a Dalí painting.
An appealing evening of solo performances, Patchworks provided fresh evidence of how working collaboratively can produce dances that showcase the individuality of the dancers.
Whether you are a dance aficionado or a first time attendee, Inhale Performance Series presents a wide variety of dance artists in a showcase fanyone can enjoy.
It would not be too much to say that this has been one of the most exciting and accomplished seasons in Pennsylvania Ballet’s history.
Moses Pendleton’s concept is grandiose and its realization is magnificent.
Cirque du Soleil’s current touring show considers the world of insects in its signature combination of breathtaking acrobatics, original live music, and colorful design.
In Process: PhiladelphiaDANCE.org’s new residency program to have its first showing with Sam Tower + Ensemble
Sam Tower + Ensemble will show a selection of In Process material that has resulted from their residence at CHI Movement Art Center.
Part storytelling and part culture sharing, Saayuja was more than the merging of art forms, it was the intermingling of cultures and politics
A dancer for Trisha Brown Company details the experience of setting Brown’s work on the Pennsylvania Ballet dancers.
World renowned and locally grown Philadanco contributed to the Philadelphia International Festival of the Arts with nights of first rate dancing to sold out houses.
Kun-Yang Lin’s home season at the Prince marked a new revitalized spirit for both the company and its choreographer.
In a tightly focused and intense performance, Vecino executed a collection of gestures, poses, and movements mixed up “live, like a DJ”.
LA-based company Diavolo brought two acrobatic pieces to PIFA 2016.
The subtext of Meg Foley’s Action is Primary, is that in order for one to affect change, engaging in mobilization is of chief importance.