New exhibit focuses on the choreographic works and also the lesser-known drawings created by dance maker Trisha Brown.
Part 2 of Lew Whittington’s series on gay identities in dance
COMPLEXIONS CONTEMPORARY BALLET (Dance Affiliates): Spectacular opening of company’s BEYOND 20 campaign
As an opening performance of the NextMove series by Dance Affiliates at the Prince Theater, Complexions Contemporary Ballet showcases four premieres-three world premiers and one US premiere-in addition to three…
BEYOND 20, beyond boundaries: Complexions Contemporary Ballet kicks off its 21st season in Philadelphia
Desmond Richardson, cofounder of Complexions Contemporary Ballet, talks about the company as it starts its 21st season with three premieres in Philadelphia.
The dark space at the headquarters of Fringe Arts hosted a kaleidoscope of blackness. Sad blackness. Angry blackness. Rescued blackness. Incarcerated blackness. Lost blackness. Dead blackness.
Stein makes you notice things about the Iron Factory that you would not have noticed before
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
Three works focused on “the female embodied”.
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
Modern dance meets contemporary ballet in an expressive collaboration by two of Philadelphia’s top-notch companies.
Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the visual arts. Audience members are…
A series of short sketches of people in process. Carefully crafted dances that pulled the audience into the performers’ private worlds.
Two dance companies separated by 763 miles challenge audience to find connections between works created miles away.
Find out what really goes on in the barn in this exciting foray into the country, as Brian Sanders’ JUNK exposes the true “American standard!”