This entry in the Visual Art category is an art exhibit based on the association between the person looking at the art and the meaning ascribed to the art itself. The artist, Krie Alden, who spoke to me at the event, is excited to be a part of FringeArts, and she loves the idea of “the Fringe being on the fringe, where they support the unexpected.”

A post-modern fusion of Pop art with opera, ANDY: A POPERA, a work-in-progress by the Bearded Ladies Cabaret, explores the enormous fame and legacy of Andy Warhol, with elements of both tragic opera and opera buffa. The synthesis reflects in part the ambiance of Warhol’s Factory in the Sixties.

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

Navin Rawanchaikul has created an epic portrait of the history of Philly’s historic Plays and Players Theater. Hundreds of faces have been painted with photographic realism in dynamic, often silly…

I went to the Philadelphia History Museum at the Atwater Kent last week on a tipoff from Mary Syndor. “The Played in Philadelphia gallery,” claims their website, “will feature changing exhibitions devoted to…

Filmmaker M. Night Shyamalan has used Philadelphia and its environs as the setting for all of his critically acclaimed films, most famously his 1999 breakthrough movie, The Sixth Sense, which…

Paris’s reputation as a a city of architectural beauty is long-held and its emblematic structures have influenced generations of Philadelphia architects and designers. This cultural exchange is the subject of…

IS it just a little strange that in a festival with a theme of Paris 1910–20, few of the shows and none of the literature seem to mention that there was a little war going on