Visual

Visual arts and exhibitions in Philadelphia

What Sanity by Chelsea Murphy, Alex Romania, and Magda San Millan

SOLOW FLASH INTERVIEWS 2014, EPISODE EIGHT: DUO OF GROSSNESS, TRIO OF MADNESS

In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.

Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.

A big pile of sand.

SoLow is like a sandbox.

To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.

This is Not a Theater Fringe review

[28.1] THIS IS NOT A THEATER (Navin Rawanchaikul, Navin Production): Fringe review

Navin Rawanchaikul has created an epic portrait of the history of Philly’s historic Plays and Players Theater. Hundreds of faces have been painted with photographic realism in dynamic, often silly…

Philadelphia History Museum at the Atwater Kent

Played in Philadelphia (PHM): The insanity of Phillies fans

I went to the Philadelphia History Museum at the Atwater Kent last week on a tipoff from Mary Syndor. “The Played in Philadelphia gallery,” claims their website, “will feature changing exhibitions devoted to…

Mark Rothko ponders one of his canvases. Commissioned for the Four Seasons in NYC, the cycle is on display at the Tate Modern in London, and worth a visit.

“I see dead artists”: Haley Joel Osment returns to Philly in PTC’s RED

Filmmaker M. Night Shyamalan has used Philadelphia and its environs as the setting for all of his critically acclaimed films, most famously his 1999 breakthrough movie, The Sixth Sense, which…

bastille

Bastille to Broad Street: The French influence on Philadelphia architecture

Paris’s reputation as a a city of architectural beauty is long-held and its emblematic structures have influenced generations of Philadelphia architects and designers. This cultural exchange is the subject of…

It was such fun to be in France in the 1910s!

World War What? Did PIFA forget a little something in its celebration of Paris 1910-20?

IS it just a little strange that in a festival with a theme of Paris 1910–20, few of the shows and none of the literature seem to mention that there was a little war going on