Celebrating its 250th anniversary in 2015, the Powel House is hosting an array of special events in the fine and performing arts throughout the year.
Members of Andy Warhol’s family are preserving their personal recollections in a new film project, UNCLE ANDY: THE ANDY WARHOL FAMILY FILM.
The Barnes Foundation and the Renegade Company are collaborating on a series of 15 minute theatrical interpretations of the works in the Barnes collection as part of the FREE First Sunday Series.
EVERYTHING ONE IN THE DISC OF THE SUN (Royal Osiris Karaoke Ensemble/FringeArts): Letting go of expectations and having fun
As a child of the sixties who used to go to “happenings” (our version of Fringe) and a devotee of several self-help modalities, I knew I had to go to EVERYTHING ONE IN THE DISC OF THE SUN, .
Holiday magic is alive and well at the Laurie Beechman Cabaret Theater.
TIL DIVORCE DO US PART: THE MUSICAL (Society Hill Playhouse): The annoying ex you never wanted to see
This 90-minute cabaret featuring of three bitter divorced women and a newspaper pen pal crams heartless bubble gum jingles and cheap laughs into the plot of a confused Lifetime special.
With a perfect combination of passion, pride, storytelling, and imagination, the Arden Theatre Company’s production of GREAT EXPECTATIONS is a thrilling night of theater.
Now in its 22nd year, this theatrical production ranks among the top haunted-house attractions in the US.
Aaron Cromie’s good-natured portrayal reflects the real Lautrec, who retained his artist’s eye and famed geniality even as he joined his friends in their sad retreat into alcoholism and the dementia of syphilis.
This entry in the Visual Art category is an art exhibit based on the association between the person looking at the art and the meaning ascribed to the art itself. The artist, Krie Alden, who spoke to me at the event, is excited to be a part of FringeArts, and she loves the idea of “the Fringe being on the fringe, where they support the unexpected.”
Chralotte Ford’s interview by Josh McIlvain for the FringeArts blog sent shock waves through the Philadelphia theater community. An admired and artistically successful performer and creator, Ford revealed that she…
Kyle Cassidy photographs Commonwealth Classic Theatre Company’s production of Tennessee Williams’s THE GLASS MENAGERIE, now onstage at the Off Broad Street Theatre.
A post-modern fusion of Pop art with opera, ANDY: A POPERA, a work-in-progress by the Bearded Ladies Cabaret, explores the enormous fame and legacy of Andy Warhol, with elements of both tragic opera and opera buffa. The synthesis reflects in part the ambiance of Warhol’s Factory in the Sixties.
Philly Performing Artists Discuss their Untenable Careers: Video from the Philadelphia Artists Summit
Josh McIlvain’s interview with Charlotte Ford “The untenable career of a successful Philadelphia theater artist” sparked some soul-searching among Philadelphia performers. They met on June 23rd to discuss.
To the left of the pyramid was a little shanty you could enter and perform a primal scream. A glass window on either side faced in on a small chamber with an apple and, if you hit the right decibel with your scream, the apple would explode. The mechanism for blowing up the apple failed pretty quickly (it worked a few times before the forces of chaos seeped into the mechanism), but that didn’t stop the crowd going in and screaming periodically while the Eye played master of ceremonies from his pyramid throne.
In SoLow, you redact the boring stuff—these tickets and grants and five-year-plans and most importantly the stages and lobbies and flashy pricey venues—which are meant to indicate to the audience member, yes, see this show and not those.
Let’s imagine that when SoLow redacts these walls, what results, remarkably, is not dust and rock and paper shreds, but sand.
A big pile of sand.
SoLow is like a sandbox.
To give you a clearer picture of what’s being built in the sandbox, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.
SoLow is about play.
There are some plays in it.
There are some . . . things . . . in it which are not plays.
But, SoLow is about reducing the boring stuff—the stages and lobbies and tickets and grants and endless marketing strategies—which stands between the artist and the audience, so that everyone can play.
To give you a clearer picture of what’s being played around with, freelance writer/performer Julius Ferraro conducts a series of flash interviews of our artists.