A brilliant production by Half Straddle based on an FBI transcription
Toby Zinman reviews THE B-SIDE: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation from The Wooster Group
Toby Zinman reviews shows from the 2019 Edinburgh Fringe
A dilettante at large Toby Zinman reviews Candide by Leonard Bernstein.
Theater critic extraordinaire Toby Zinman continues her forays into other art forms with a visit to Kimmel Center’s Perelman Theatre to see two one-act operas presented by the Curtis Opera Theatre
Martha Graham Cracker (aka Dito von Reigersberg) is back in Philly for only three shows
Toby Zinman feels the Japanese rhythms of KODO drum troupe.
Visually, musically, and vocally gorgeous, this is a delectable MIDSUMMER NIGHT’S DREAM.
A dilettante at large considers two exhibitions at the Philadelphia Museum of Art
A whimsical and educational show combining images of the city by moonlight, gaslight, electric light, fire and lightning.
The thrill of a big show-biz production and the feeling of authenticity
What a complicated evening, filled with gorgeous singing and roiled emotions and puzzling theatrics
Hapgood is not just a spy story, it’s also a physics story
ECCENTRICITIES is lush, loquacious and very typical Tennessee Williams: lonely, sex-starved women, men struggling against overbearing mothers, desperation everywhere.
However crammed your Fringe calendar may be, don’t miss this one.
Toby Zinman considers “Rachel Rose: Wil-o-Wisp/The Future Fields Commission” and “Biting Wit and Brazen Folly: British Satirical Prints, 1780s–1830s”
All this dilettanting around town can make a critic hungry
This is difficult review to write since almost anything I’d say would be a spoiler. I can say this much: Go see it.