Finding art in taking risks: Doug Williams
“I have hated this play sometimes,” says Doug Williams. Strong words, when you’re talking about something you’ve written yourself.
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“Don’t ask me what happened. It’s best not to know!”: A DYBBUK, or Between two worlds Review of A DYBBUCK from EgoPo Classic Theatre 
Why Wait? Director Ken Marini talks about Quintessence Theatre’s brilliant WAITING FOR GODOT Quintessence Theatre's production of WAITING FOR GODOT just closed. Henrik Eger spoke to the director about his background and his experienc... 
Letter from Edinburgh: A dilettante at large reviews Toby Zinman reviews shows from the 2019 Edinburgh Fringe 
MARY ROSE (Philadelphia Artists’ Collective): 2018 Fringe review However crammed your Fringe calendar may be, don’t miss this one. 
ELECTRA (Villanova): Sophocles gets electrified Review of Sophocles' Electra at Villanova Theatre
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From the archives…
THE CRAFTSMAN (Lantern): Crafting a good story
Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story. more…
