Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.

Luna’s adaptation of one of the finest films ever made doesn’t dare to change enough to be much more than a translation of Kurosawa’s movie.

Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.

Life imitates art far more than art imitates art.

Everyone wants to feel special. This longing to be acknowledged is at the core of Kirsten Greenidge’s MILK LIKE SUGAR.

The golden age of Hollywood. Bruce Graham certainly knew how to choose a snazzy setting when he wrote SOMETHING INTANGIBLE,

VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.

Past mistakes haunt the promising futures of three underprivileged high school seniors when a strange benefactoroffers a full scholarship for the winner of a unspecified competition on a remote island.

PASSPORT shows how not being understood can turn a person into a non-person, who can therefore be subjected to inhumane abuse.

Truth Be Told Productions BENT isn’t innovative, but it is a quality production of a culturally significant play.

A combination of sketch, stand-up and improv comedy, THE WINGMEN PRESENT: THE NEIGHBORHOOD sets out to deliver a lively and fun night for its neighborhood audience.

A morally ambiguous and deeply political tale of two cultures clashing when an American photographer comes to stay with a family in rural Iran.