Republished by kind permission from Neals Paper. Lightning, alas, did not strike two years in a row when it came to Pennsylvania Shakespeare’s grand experiment of mounting one of the…
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
The emphasis is on the physical comedy in David Stradley’s production
One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
Republished by kind permission from Neals Paper. SEE WHAT I WANT TO SEE receives a bravura production from Megan Nicole O’Brien and 11th Hour. But show biz brightness is not always…
A uniformly wonderful cast provide bright, sunshiny fun in this lively, fast-moving, exuberant staging of Gaetano Donizetti’s romantic comedy.
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
Douglas McGrath tribute to Carole King goes beyond the formulaic jukebox musical to tell a story that stands on its own
THE SOUND OF MUSIC is a warhorse that has been brushed and festooned in ways that belie its age, familiarity, and expectation.