Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
Douglas McGrath tribute to Carole King goes beyond the formulaic jukebox musical to tell a story that stands on its own
THE SOUND OF MUSIC is a warhorse that has been brushed and festooned in ways that belie its age, familiarity, and expectation.
Director Adam Immerwahr and a wonderful cast make this piece that’s been running as long in London as Queen Elizabeth II alive with an energy that belies the play’s age.
Kenneth Lonergan’s new play explores the many levels of trust.
Though Bruce Graham’s play is set on the eve of a potential Philadelphia sports triumph it chronicles the long-suffering, patiently impatient diehard who supports local professional teams.
Michael Hollinger and Vance Lemkuhl’s musical is lacking in conflict and complexity.
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
After this year, a holiday tradition will be refreshed. Here’s wishing it would remain.
Ionesco offers comically entertaining insight on the careless and constant cacophony that passes for communication but is just platitudinous twaddle.
This touring production doesn’t make THE BOOK OF MORMON any more savage, but it knits Parker and Stone’s comic ideas together into a moving story more satisfying because it has a human core.