David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.
Krissy Fraelich’s riveting central performance blends with the perfection of Geoffrey Goldberg’s direction to make this production not only powerful and poignant.
What? Him again? Yes and no.
A delightful comedy that shows an evening and morning in the lives of four sisters
Tom Lehrer is the smartest, most devilish, most perceptive, and most funny of the editorial songwriters
SIDE SHOW is a tricky piece, but there was much to savor at Media Theatre’s production
Someone should sit down and write a dozen Country tunes for Jessica Wagner to record in the style of Patsy Cline.
An operatic version of a Lars von Trier movie? Yes.
In a Philadelphia theater season with an auspicious beginning, this production of MRS. WARREN’S PROFESSION might be the most auspicious of all.
While Nilo Cruz broaches some interesting subjects and often provides his characters with profound things to say, his world premiere play never takes off dramatically.
Loveliness and tenderness that breaks through the surface coldness are the hallmarks of the Media’s production of this delicate but sweepingly romantic musical.
Puns, pokes, and irreverent portrayals take the place of debating issues
Thank goodness for Brock D. Vickers. In adapting one of Conan Doyle’s most popular Sherlock Holmes mysteries, he kept the intense tone of the original.
The best in Philadelphia and the world, 2015-2016.