One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
Republished by kind permission from Neals Paper. SEE WHAT I WANT TO SEE receives a bravura production from Megan Nicole O’Brien and 11th Hour. But show biz brightness is not always…
A uniformly wonderful cast provide bright, sunshiny fun in this lively, fast-moving, exuberant staging of Gaetano Donizetti’s romantic comedy.
Ted Swindley’s blend of a heartwarming bonding of two good ole’ gals and more than two dozen songs associated with singer Patsy Cline.
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
Douglas McGrath tribute to Carole King goes beyond the formulaic jukebox musical to tell a story that stands on its own
THE SOUND OF MUSIC is a warhorse that has been brushed and festooned in ways that belie its age, familiarity, and expectation.
Director Adam Immerwahr and a wonderful cast make this piece that’s been running as long in London as Queen Elizabeth II alive with an energy that belies the play’s age.
Kenneth Lonergan’s new play explores the many levels of trust.
Though Bruce Graham’s play is set on the eve of a potential Philadelphia sports triumph it chronicles the long-suffering, patiently impatient diehard who supports local professional teams.
Michael Hollinger and Vance Lemkuhl’s musical is lacking in conflict and complexity.
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.