Natalia Kazaryan at the APS: Champion pianist champions undervalued composers
The three gems sound quite modern more than 100 years after they were written.
TYDINGS TREW (Piffaro): Shining with warmth and light
Is it anachronistic to seek out Renaissance music in this age of cybernetics?
PLAYING AND PRESERVING (Astral Artists, Play on Philly, Partners for Sacred Spaces): Beautiful music at St. Mary’s, Hamilton Village
Free family-friendly classical music
SUMMER SERIES 2019 (BalletX): BalletX brings The Little Prince to life
This contemporary ballet of a classic children’s book is immediately understandable for children, but also poignant and thought-provoking for adults.
BETTY’S SUMMER VACATION (IRC): A terribly funny nightmare of a beach trip
For their June show, the Idiopathic Ridiculopathy Consortium decided to take on a grotesque play by Christopher Durang which Tina Brock directed. Brock herself has the prime comedic role of…
The Master and the Magician: Fred Hersch and Cécile McLorin Salvant open the McCarter’s Second Jazz in June Festival
She pleases, she teases, and she appeases.
RENEWAL (Choral Arts Philadelphia): Matt Glandorf looks to Bach’s predecessors for the final Bach@7 concert of the season
Stay with us; for it is toward evening and the day is spent.
ALL STRAVINSKY (PA Ballet): What about the music?
The Pennsylvania Ballet does their best to ignore their fantastic orchestra
A MIDSUMMER NIGHT’S DREAM (Opera Philadelphia): Fairy magic and flying beds
Benjamin Britten’s music still sounds wonderfully imaginative and modern
Xavier Foley makes the double bass sing at PCMS
The Philadelphia Chamber Music Society presents a Musical Fund Society Series with Xavier Foley, Sejoon Park, and Eunice Kim
Piffaro Presents a 16th-Century French Noel
The exquisite program notes took the audience as close to the sixteenth century French Noel midnight mass as possible
Heath and More: a British string quartet provides a tour of musical landscapes in a PCMS concert
The Heath Quartet plays Tippett, Britten, and Purcell
Without Peer: The Cherry Street Pier opening is an unqualified success
An anticipated cultural attraction opens along the Delaware River.
ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review (2nd)
Another review of IRC’s 2018 Fringe piece.
TRANSCENDENCE TO TRANSPARENCY (Les Canards Chantants): Music review
Les Canards Chantants (“the singing ducks”), a renaissance polyphony voice ensemble, was born in England but is now based in Philadelphia.
The German Society of Pennsylvania presents their final Delius Society Concert
The Wister Quartet and Choral Arts Philadelphia gave their audience a rare chance to hear the Delius Songs of Sunset.
The Philadelphia Orchestra pulls in an audience with a surprisingly good Philadelphia Voices
Philadelphia Voices is about a lot more than cheesesteaks!
Lahav Shani leads Philadelphia Orchestra with music by Lindberg, Stravinsky, and Prokofiev
Twenty-nine-year-old maestro Lahav Shani leads the Philadelphia Orchestra with a spotlight on trumpeter David Bilger
NINETEEN MOVEMENTS FOR UNACCOMPANIED CELLO (Scott Ordway): Sounding the Chestnut Hill Skyspace for a world premiere
The premiere of composer Scott Ordway’s Nineteen Movements for Unaccompanied Cello took place in the perfect setting – the James Turrell Skyspace in the Chestnut Hill Friends Meeting.
VISUAL MUSIC (Network for New Music at the University of the Arts): Art in music
Out of the ordinary, but a delight to experience.
