Double dealing, doubling of characters, double entendre and double dating, of a sort, are doubly fun to watch.
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense
A visit with the eccentric Sycamore family is always a warm adventure in zaniness
ALL THE DEAD BIDDLES (Underbite Theatre Company): Looks at life after death through lens of dark humor
Underbite Theatre Company handles a tough topic wiith searing insight and sensitivity.
The Mechanical Theater has succeeded in reviving Bram Stoker’s Dracula.
Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live .—”Resumé” by Dorothy Parker…
DON’T BE CRUEL TO YOUR PUPPY…LEMME GIVE YOU A TWISTED TALE (Clayton Storyteller): 2017 Fringe Review
Listening to solo performer Clayton Storyteller spin cleverly wrought yarns in his vivid verse is an engaging treat.
Familiarity with the pan-galactic Hitchhikers Guide isn’t necessary to appreciate this cosmic comedy, just a general suspension of time, disbelief and willingness to have infinite fun.
Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.
This fabulous Fringe piece plunges the audience into the dramatic action of the American Revolution.
Five wicked young women flavor this theatrical piece like a craft brew.
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans in summer ensues. An ensemble…