Celia Reisman transforms American suburbs into landscapes of the mind in four stages.
SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
Hollis Heichemer’s Imminence exhibition at the Gross McCleaf Gallery presents 16 works by the artist – the majority on Mylar, two on canvas.
Flash fiction has established itself as a literary genre whose popularity only grows as our attention span shrinks
A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
IRC presents a must-see revival of Eugene Ionesco’s 1952 classic THE CHAIRS, a defining work of the theater of the absurd.
For many Arendt is remembered by a single phrase — “the banality of evil”, a concept she coined in her controversial book from the 1960s Eichmann in Jerusalem.
ENLIGHTENMENT ON E FLOOR NORTH explores the absurdities of employment in the most unlikely of places – the galleries of an art museum where four security guards toil away by mindlessly…