Stephanie Pierce

Art at Kings Oaks: A weeklong pop-up exhibit

If you only visit one art show this month, make it Bucks County’s Kings Oaks Farm in Newtown

"Tall Trees Night" by Celia Resman. Part of her exhibition A Moment Noticed at Gross McCleaf Gallery

Utopias on the Outskirts: Celia Reisman’s suburban landscapes at Gross McCleaf Gallery

Celia Reisman transforms American suburbs into landscapes of the mind in four stages.

Press photo for Lightning Rod Special's SANS EVERYTHING.

SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor

Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare

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THE ENCHANTED (IRC): a great revival speaks to our times

Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.

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Intimate Associations at IMMINENCE: Hollis Heichemer’s Stratigraphy of Color at Gross McCleaf

Hollis Heichemer’s Imminence exhibition at the Gross McCleaf Gallery presents 16 works by the artist – the majority on Mylar, two on canvas.

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[book review] MAD TO LIVE: Randall Brown’s Literary machines of compression

Flash fiction has established itself as a literary genre whose popularity only grows as our attention span shrinks

Ben Grinberg (center) and EXILE 2588 collaborators (l-r Mark Wong, Nick Gillette, Ben, Lauren Johns, Nicole Burgio). Photo by Kate Raines.

EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49

A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass

Photo by Jen Cleary

THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1

Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real

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THE CHAIRS (Idiopathic Ridiculopathy Consortium): 2016 Fringe review 8

IRC presents a must-see revival of Eugene Ionesco’s 1952 classic THE CHAIRS, a defining work of the theater of the absurd.

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VITA ACTIVA: THE SPIRIT OF HANNAH ARENDT (dir. Ada Ushpiz): Movie review

For many Arendt is remembered by a single phrase — “the banality of evil”, a concept she coined in her controversial book from the 1960s Eichmann in Jerusalem.

Enlightenment on E Floor North by Strange Attractor Theatre. Fringe Review

[24.2] ENLIGHTENMENT ON E FLOOR NORTH (Strange Attractor Theatre Company): Fringe review

ENLIGHTENMENT ON E FLOOR NORTH explores the absurdities of employment in the most unlikely of places – the galleries of an art museum where four security guards toil away by mindlessly…