In his 4th year here at Edinburgh it looks like Chris has become quite a popular fixture.
THE GOSPEL ACCORDING TO THOMAS JEFFERSON, CHARLES DICKENS & COUNT LEO TOLSTOY: DISCORD (Lantern Theater Company): Locked in limbo with literati
The Lantern team transforms an essentially all-talk playscript into an engaging, living piece of theater.
JESUS CHRIST SUPERSTAR (Bristol Riverside Theatre): In a little river town a great but shopworn rock opera is reborn
I went in to the show a doubting Thomas a came out a believer.
With a strong cast and design wizards the Lantern has made CORIOLANUS a visceral, lively and thought-provoking experience
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
Bedlam’s imagination and the energy of their acting make their production stand out.
Oscar Wilde once wrote to a friend that his two books of fairy tales were intended “partly for children and partly for those who have kept the childlike faculties of…
Thoughts on two shows, HEISENBERG and VIETGONE, under the auspices of the Manhattan Theatre Club.
GILBERT AND SULLIVAN’S SWITCHED! OR THE INSIDER AND THE OUTSIDER (Tavern Productions and PAFA Performs): 2016 Fringe review 72
“It’s this topsy-turvydom that people are drawn to,” lyricist Kevin Stackhouse said when we talked before the show. “People like to feel smart, and what comes out of Gilbert &…
Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
Deep Blue goes for the jugular with a serious staging of STREETCAR, Tennessee Williams’s beloved, hard, and overheated play
“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black man up front at a…
JAMAICA (New Freedom): A great big musical full of vibrant colors, delectable lyrics, high spirits, and island vibes
New Freedom Theatre in North Philadelphia is dedicated to presenting productions that illuminate the multifaceted African American experience. Their current production, JAMAICA, is based on a musical that opened on…
[NYC] THE TOTAL BENT (Public Theater): In world premiere in NYC, a messy rocking musical has Philadelphia connections
The action transpires at the nexus of tradition, belief, protest, crass commercialism, and rock ‘n’ roll, shedding light on differing views of the budding Civil Rights movement within the black…
THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
Something funny across the surface with dark issues riding just under it.
A remarkably original and gloriously entertaining version of the Marlowe play.
Clare Boothe Luce saw her 1936 play as a critique of certain malicious denizens of Park Avenue. Director Lane Savadove sees more in it.