Tony Braithwaite re-enacts a holiday film classic in Act II Playhouse’s THIS WONDERFUL LIFE.
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.
Dito van Reigersberg in a new drag persona steals the spotlight in this riotuous, fierce production.
Tristan Tzara called his play THE GAS HEART “the greatest three-act hoax of the century.”
Four minutes of prolonged eye contact can incur a boost of oxytocin, a chemical that decreases stress and instills positive emotions.
Sincere, amusing, and an absolute treat (and inside joke) for artmakers
BYOB elementary school music class: A PARTY WITH MISTER JOHN is the evening out you didn’t know you needed.
Sometimes brutal, but always on point, AN OBVIOUSLY FOGGOT is the explosive, vibrant queer play we’ve been waiting for in this year’s festival.
The Bard, no longer relegated to elite theatrical institutions, has found his way to a popular University City bar.
Edgar Allen Poe’s macabre imagination manifests itself through Forgotten Lore Theatre Company’s ASHES OF A DEAD PHILOSOPHY. This promenade theatre installment occupies a room in a Port Richmond warehouse. Director…
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
We sat down with Morriah to discuss her utopian artscape, feminism, boob-themed carnival games, and Beyonce.
The ensemble’s naturalistic performances and fast-paced dialogue create a very funny play, and the extremely minimal production elements and do-it-yourself approach to theater makes the audience an intrinsic part of the show.
The most talked-about play from the 2015 Fringe is revived in an equally stellar production at FringeArts.