There’s manic energy to this parody of ABC’s hit The Bachelor

A play of little importance

Interview with PFS programming director Travis Trew about Bong Joon-Ho’s films before PARASITE

At Whitey’s bar, gentrification and poetry are on the menu.

Philadelphia gets a visit from Bikini Bottom in Spongebob the Musical.

Takeaway: Bring your kids to this unique Philadelphia area tradition!

Director Sammi Cannoid brings a lot of thought to the Webber/Rice juggernaut EVITA. Can the show’s libretto handle it?

Jeremy O. Harris’ brilliant SLAVE PLAY is designed to shock, provoke, and trigger. It succeeds on all fronts.

“It’s not Ibsen,” I reminded myself, “It doesn’t have to be Sondheim. Just enjoy the show and have fun!”

Bucks County Playhouse’s stunning production of ONCE leaves audiences hungry for more.

Curio’s The Mystery of Irma Vep requires virtuosity. Watching the production turns out to be more exhausting than fun.

Bristol Riverside Theatre’s snazzy Next to Normal leaves reviewer Josh Herren cold.

Joanie Schultz’s direction centers on masterful and delicate performances by Bebe Neuwirth and John Dossett.

Theater tickets are expensive. What’s a young theater lover in Philadelphia to do? 

The constant menace of teenage ambition hums under the entire production.

In repertory with their solid production of PLAYBOY OF THE WESTERN WORLD, the company presents three of Synge’s one-acts as THE SYNGE TRIPTYCH.

Mmemories fill a family’s West Philadelphia home like radio waves.

A challenging show, with musically complicated, character-driven songs, that demands performers tell almost the entire story through song.

MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.

When PLAYBOY OF THE WESTERN WORLD premiered in Philadelphia in 1912, riots broke out. Quintessence’s skillful production features consistently strong performances that manage to surprise and delight.