FALSETTOS (11th Hour Theatre Company): 60-second review
A challenging show, with musically complicated, character-driven songs, that demands performers tell almost the entire story through song.
MINORITYLAND (Power Street Theatre): The G word
MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.
PLAYBOY OF THE WESTERN WORLD (Quintessence): Dead dads, tall tales, Irish intrigue
When PLAYBOY OF THE WESTERN WORLD premiered in Philadelphia in 1912, riots broke out. Quintessence’s skillful production features consistently strong performances that manage to surprise and delight.
ORLANDO (Villanova): Blurred lines
As Orlando journeys through genders and centuries, the pain and beauty of being a human in a body is explored with a vibrant commitment to the process of theater-making.
Minute by Minute with Hugh Jackman: The Man, The Music, The Tour
Hugh Jackman is gunning to be the greatest showman.
Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
3 weeks. 10 plays. My first Fringe Festival.
A LITERAL DOLL HOUSE (Macho Goat): 2019 Fringe review
Is she playing with dolls or is she controlling her own narrative?
