Everyone knows the murals in Philadelphia suck balls, right?

Republished by kind permission from the FringeArts blog. “A Billion Nights on Earth is at the same time an adult work for kids and a kids work for adults—or in…

Female friendships, aggression, integrity, Lisa Frank, light-up sneakers, and more.

Colombian choreographer and director Luis Garay brings Maneries, performed by (and created for) the fiercely captivating dancer Florencia Vecino, to FringeArts April 14-16, 2016

The choreographer talks about SHOW NO SHOW, a lively and intimate portrait of two people getting to know each other for the first time.

Republished by kind permission from the FringeArts blog. “Since the beginning of my career as a choreographer, I have always selected a group of international individuals. I like the idea…

“It’s almost like this isn’t really a ‘show,’ more some kind of process.”… Ant Hampton talks THE EXTRA PEOPLE

Pig Iron’s latest wild theatrical creation opens this week at FringeArts. I Promised Myself to Live Faster is an absurdist sci-fi epic and wild allegory about gayness in 2015,

Sebastian describes SHOWBIZ as “part theater, part concert special, part social commentary extravaganza.”

The support for performing arts organizations and artists, of all sizes, pales in comparison to the type of funding that art museums obtain. It is time to start placing more value on the “art” part of performing arts.

Philadelphia’s theater scene is better than ever—haven’t you heard? But so few of its practitioners can eke out a living wage from it. This interview Charlotte Ford takes a serious look at how poor the health of the theater industry is in this city.

THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”

Originally published on the FringeArts blog. Republished with kind permission. “I see 150 to 180 plays a year, and still always regret missing a bunch.” Mark Cofta has been covering…

Interview with Jenna Horton about her Jumpstart piece MOUNTING ETNA.

Ed Miller has been acting in and creating theater works in Philly since the 90s (the new 60s). Or at least, that’s when I first encountered him, sometime in the…

Annie Wilson is a local dancer-choreographer-performer-art maker type who has been making her presence known these past several years since graduation from the University of the Arts. I first met…

California born and bred, now entrenched in Philadelphia, the playwright-director John Rosenberg debuts his latest work Queen Of All Weapons this Saturday at 2pm at the Papermill Theater (2528 Ormes Street) in…

Philly-based choreographer and dance impresario Jaamil Olawale Kosoko is a busy man these days—creatively, curatorially, and administratively. He recently changed the name of his company from Kosoko Performance Group to The…

Quintessence Theatre Group is wrapping up its inaugural season at the Sedgwick Theater in Mount Airy with The Importance of Being Earnest by Oscar Wilde, which is running now through May 22nd….

IS it just a little strange that in a festival with a theme of Paris 1910–20, few of the shows and none of the literature seem to mention that there was a little war going on