A RIDE ON THE IRISH CREAM (Erin Markey/ FringeArts): The mind does crazy, sexy, cool things with memories
In A RIDE ON THE IRISH CREAM the script and choreography embodied the textures and lyricism of the music.
Now trending…
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to NO INTRODUCTION Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
Theater in Sketch: TOMMY AND ME (Theatre Exile) Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality. 
A Woman Who Dares: Interview with KC MacMillan KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire...
From the archives…
4000 MILES (PTC): What a Long, Strange Trip it’s Been
As someone born in the mid-1980s, I’ve rolled my eyes at the sight of the word “Millennial” more times than I can count. What’s great about Amy Herzog’s 4000 MILES is that she refuses to imprison the characters in any social or political context.
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