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BEGINNINGS… (Mendelssohn Club): Beginnings of a new tradition

Mendelssohn Club of Philadelphia opens its 142nd season welcoming artistic director Paul Rardin with three psalms by Mendelssohn, a world premiere, and Mozart’s Mass in C.

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COMPLEXIONS CONTEMPORARY BALLET (Dance Affiliates): Spectacular opening of company’s BEYOND 20 campaign

As an opening performance of the NextMove series by Dance Affiliates at the Prince Theater, Complexions Contemporary Ballet showcases four premieres-three world premiers and one US premiere-in addition to three…

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BEYOND 20, beyond boundaries: Complexions Contemporary Ballet kicks off its 21st season in Philadelphia

Desmond Richardson, cofounder of Complexions Contemporary Ballet, talks about the company as it starts its 21st season with three premieres in Philadelphia.

BalletX dancer Caili Quan. Photo by Bill Hebert.

IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58

Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the visual arts. Audience members are…

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763 MILES (Annex Dance Company and Drye/Marinaro Dance Company): 2015 Fringe review 48

Two dance companies separated by 763 miles challenge audience to find connections between works created miles away.

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THE GIRL’S GUIDE TO NEIGHBORLY CONDUCT (Tangle Movement Arts): 2015 Fringe review 34

Highly trained and expressive performers introduce viewers to girls’ life, relationships and strength through their acrobatic and astonishing circus arts.

Under Her Skin fringe review Jeanine McCain

UNDER HER SKIN (Jeanine McCain): 2015 Fringe review 16

Experience a story of an independent and strong woman’s life through pieces of memories and expressive movement.

Chloe Felesina and Edgar Anido in Adam Hougland's When We're Alone.
Photo by Alexander Iziliaev

SUMMER SERIES (BalletX): Summertime satisfaction

The program is packed everything from serious to funny: tap, swing and jazz, all thoroughly infused with and supported by the dancers’ strong foundation in classical ballet.