2. PST, John Jezior in 2001 Twelfth Night, phto John Bansemer

Lecture, Talkback, Slam! Upcoming events at The Philadelphia Shakespeare Theatre

Philly Shakes is offering audiences a mid-spring series of supplemental events on three Sundays in April and May.

3. CTC, AI, Brendan Sheehan, phto JdelTufo

GREEN DAY’S AMERICAN IDIOT (CTC): An electrifying production of a timeless punk-rock opera

CTC’s production, directed with full-out intensity by Michael Gray, captures all the rage, love, frustration, and uncertainty of rebellious youth on the verge of adulthood.

IHT Shadow of a Gunman, KRodden as Shields and DAnderson as Davoren, phto Keith Miller

THE SHADOW OF A GUNMAN (IHT): Humor and horror in the Irish homeland

Set during their fight for independence, this controversial two-act tragicomedy merges realism with poetry for an insightful and funny view of the Irish.

Frank X and Sally Mercer in InterAct’s UNCANNY VALLEY (Photo credit: Plate 3 Photography)

UNCANNY VALLEY (InterAct): What makes us human?

Post-modern technology collides with human ethics in InterAct Theatre Company’s revolving world-premiere production of playwright-in-residence Thomas Gibbons’ UNCANNY VALLEY.

3. Loretta Vasile, Mechanical, SHE STOOPS, phto JBrough

SHE STOOPS TO CONQUER (Mechanical): An authentic delight!

What better place than Philadelphia’s historic Powel House for its resident company, The Mechanical Theater, to stage this historically faithful production.

2. PAC, FAIR MAID, Rachel Camp as Bess Adam Altman as Spencer CREDIT Ashley LaBonde Wide Eyed Studios

THE FAIR MAID OF THE WEST, PART I (PAC): A pirate adventure “worth gold!”

Thomas Heywood’s ridiculous rip-roaring romantic romp across the high seas of the English Renaissance is the latest in the Philadelphia Artists’ Collective’s acclaimed productions of rarely seen classics.

1. kc headshot

A Reversal of Roles for KC MacMillan: The director speaks to Phindie about her return to acting in THE FAIR MAID OF THE WEST (PAC)

Known to everyone in the Philadelphia theater community as a director, dramaturg, and associate artistic director of Lantern Theater Company, KC MacMillan is now adding actor to her list of professional…

1. Lantern, Taming of the Shrew, Joanna Liao, J Hernandez, phto Mark Garvin

THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody

Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.

Stephen Fala and Tori Mittelman as Patrick and Maggie Clancy in LAFFERTY’S WAKE at Society Hill Playhouse (Photo credit: Michelle Pauls)

LAFFERTY’S WAKE (Society Hill Playhouse): “For God’s sake, you got to laugh a little!”

Society Hill Playhouse celebrates St. Patrick’s Day with a seasonal revival of Susan Turlish’s musical-comedy send-up of the Irish,

Visible Fictions’ Tim Settle and Simon Donaldson perform JASON AND THE ARGONAUTS at People’s Light (Photo credit: Mark Garvin)

JASON AND THE ARGONAUTS (People’s Light): A playful retelling for all ages

Scotland’s Visible Fictions brings a child-friendly version of the Greek myth of JASON AND THE ARGONAUTS, adapted by Robert Forrest, to People’s Light & Theatre Company

The Nimble Cats

Theater Artists Making Beautiful Music in NY and Philly

The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.

Kirsten Quinn and Renee Richman-Weisband star in Isis Productions’ COLLECTED STORIES (Photo credit: Kristine DiGrigoli)

COLLECTED STORIES (Isis): When “What happens in Vegas” doesn’t stay in Vegas

An off-the-record conversation between an established author and her graduate student assistant becomes the basis for an increasingly adversarial examination of professional ethics, artistic license, and personal betrayal.

Follies of God cover

[book review] FOLLIES OF GOD (James Grissom): Validating Tennessee Williams

“The greatness of . . . people lies in how they got from their squalor—real or perceived—and became artists.”

The Powel House

The Powel House: Utilizing Historic PhilaLandmarks as venues for the arts

Celebrating its 250th anniversary in 2015, the Powel House is hosting an array of special events in the fine and performing arts throughout the year.

UNCLE ANDY, an upcoming feature film by Abby Warhola and Jesse Best (Photo credit: Courtesy of Warhola Films, from a photo by James Warhola, 1975)

Art in the Family: An inside preview of UNCLE ANDY (Warhola Films), a family biopic of Andy Warhol

Members of Andy Warhol’s family are preserving their personal recollections in a new film project, UNCLE ANDY: THE ANDY WARHOL FAMILY FILM.

3. Curio, OTHELLO, Brian McCann as Iago, photo KCassidy

OTHELLO (Curio): A different approach to an iconic tragedy

This original take on OTHELLO has more the feel of a farcical comedy than an ironic tragedy

James Warhola (Photo credit: Courtesy of the Artist)

An Interview with Jamie Warhola: Honoring Andy Warhol on the 28th anniversary of his death

Today marks 28 years since Andy Warhol’s death. Deb Miller talks to his nephew, illustrator Jamie Warhola.

Mary McDonnell and Olivia Mell in THE CHERRY ORCHARD at People’s Light (Photo credit: Mark Garvin)

THE CHERRY ORCHARD (People’s Light): Capturing the comedy, insight, and pathos of Chekhov

Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…

2. EgoPo, Stairs, LBerman, CO'Brien

STAIRS TO THE ROOF (EgoPo and Rowan): An absurdist take on a fledgling work by Tennessee Williams

This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.

3. DTC, NORA, KimCarson, ChrisThorn

NORA (DTC): A riveting production of a feminist classic

Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD