Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.
Society Hill Playhouse celebrates St. Patrick’s Day with a seasonal revival of Susan Turlish’s musical-comedy send-up of the Irish,
Scotland’s Visible Fictions brings a child-friendly version of the Greek myth of JASON AND THE ARGONAUTS, adapted by Robert Forrest, to People’s Light & Theatre Company
The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.
An off-the-record conversation between an established author and her graduate student assistant becomes the basis for an increasingly adversarial examination of professional ethics, artistic license, and personal betrayal.
“The greatness of . . . people lies in how they got from their squalor—real or perceived—and became artists.”
Celebrating its 250th anniversary in 2015, the Powel House is hosting an array of special events in the fine and performing arts throughout the year.
Members of Andy Warhol’s family are preserving their personal recollections in a new film project, UNCLE ANDY: THE ANDY WARHOL FAMILY FILM.
This original take on OTHELLO has more the feel of a farcical comedy than an ironic tragedy
Today marks 28 years since Andy Warhol’s death. Deb Miller talks to his nephew, illustrator Jamie Warhola.
Completed in 1904, THE CHERRY ORCHARD, Anton Chekhov’s final dramatic work, is the most often staged of all Russian plays worldwide, and its production at People’s Light & Theatre Company…
This is Tennessee Williams as you’ve never seen him, filled with youthful ardor, idealism, and scorn, and well suited for showcasing a young ensemble of emerging talents.
Ingmar Bergman’s 1981 stage adaptation of Ibsen’s A Doll’s House is pared-down, focused, and intense. By reducing Ibsen’s original lengthy script by nearly half, Bergman endows the 19th-century feminist milestone with a post-modern clarity and import.qD
LONG LIVE THE LITTLE KNIFE (Inis Nua): A delightfully duplicitous foray into the art(s) of deception
What do art forgers and the theater have in common? Both try to convince you that something is real when it’s not, and both do it with the expectation of…
This year’s SNOWBALL—the annual one-night-only festive winter-wonderland fundraiser for Brian Sanders’ JUNK—will fill the Trocadero (where Sanders produced his first show in 1992) with spectacular dance, food, and libations inspired…
Flashpoint Theatre Company brings back its signature show for the holidays, David Sedaris’s THE SANTALAND DIARIES, for a ten-performance pre-Christmas run.
Director Whit MacLaughlin employs both live actors and shadow puppets to convey both the darkness and magic of the popular story.
The one-act musical adaptation of Joyce’s short story is presented as a memory play, told through narration and re-enactments.
John Patrick Shanley’s rom-com charmer is a play about feelings, expressed with an Irish lilt by two generations of neighbors in the Emerald Isle