MAUCKINGBIRD MIX

Mauckingbird Presents Staged Readings of Two Gay Milestones

Two groundbreaking plays in the history of queer theater–Lillian Hellman’s THE CHILDREN’S HOUR and Mart Crowley’s THE BOYS IN THE BAND—will be presented in the format of staged readings over the next two weekends by Mauckingbird Theatre Company.

Art After 5, Brian Sanders, Brian Sanders’ JUNK, FringeArts, Partners for Sacred Places, Shiloh Baptist Church, Suspended, Teddy Fatscher

Talking Sex, Substance, and SUSPENDED with Brian Sanders

Perennial Fringe favorite Brian Sanders and his dare-devil dance company JUNK have created a provocative new offering for this year’s Festival. Described as a journey “through a fantastical titillating abyss,”…

Aurora Black, Erik Ransom, and Avery Royal in Libertine Idol’s COMING in FringeNYC (Photo credit: Michael Blase)

COMING (Libertine Idol Productions): The Battle of Glamageddon hits FringeNYC!

Self-proclaimed “heir to Sodom and Gomorrah,” the divinely talented writer/ actor/ singer/ musician/ composer/ “disaster in lipstick” Erik Ransom stars in a newly revised version of his 2011 Philadelphia smash hit COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS for FringeNYC.

Ama Bollinger stars in Chris Davis’s ANNA K (Photo credit: Courtesy of the artist)

Deb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe Festival

Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.

Deanna Gibson plays one of three witches in the Pennsylvania Shakespeare Festival’s MACBETH (Photo credit: Lee A. Butz)

MACBETH (Pennsylvania Shakespeare Festival): A Minimalist Vision

Director Patrick Mulcahy takes a modernist approach to the Pennsylvania Shakespeare Festival’s production of MACBETH, with a 20th-century minimalist aesthetic that compels the audience to focus on the emotions and actions of the characters and the power of the playwright’s language. It’s stark and intense, and also, at times, oddly anachronistic and comical, performed in attire that suggests a peculiar mash-up of wartime Berlin and dance club chic, military and punk.

The cast of ANDY: A POPERA elevating Sean Lally, who stars as Warhol “expert” Dr. Peter Never (Photo credit: Kate Raines Plate 3 Photography)

ANDY: A POPERA (The Bearded Ladies Cabaret): The Enigma of Warhol

A post-modern fusion of Pop art with opera, ANDY: A POPERA, a work-in-progress by the Bearded Ladies Cabaret, explores the enormous fame and legacy of Andy Warhol, with elements of both tragic opera and opera buffa. The synthesis reflects in part the ambiance of Warhol’s Factory in the Sixties.

Promotional image for ANDY: A POPERA by The Bearded Ladies Cabaret (Photo credit: Design by Flying Hand Studio, photo by Kate Raines Plate 3 Photography, Make-Up by Rebecca Kanach)

15 Questions in 15 Minutes with John Jarboe

The Bearded Ladies extend their proverbial 15 minutes of fame this week with the opening of their cabaret residency of ANDY: A POPERA in the lobby of the Wilma Theater,…

Danny Gardner as Johann Martin Steindorff in BACH AT LEIPZIG at People’s Light (Photo credit: Mark Garvin)

BACH AT LEIPZIG (People’s Light): 60-second review

People’s Light & Theatre Company pairs Itamar Moses’s uber-witty historical farce BACH AT LEIPZIG with the zaniness of director Pete Pryor in a hilarious, intelligent production.

Clio (Erica Nicole Rothman, center) with her sister Muses in Mazeppa Productions’ XANADU (Photo credit: Kelly Anne Pipe Photography)

XANADU (Mazeppa Productions): A Flop of a Film, but a Smash of a Show!

Greek mythology meets roller-disco in XANADU, a spirited send-up of American pop culture circa 1980, based on the preposterous movie of the same name starring Olivia Newton-John. Mazeppa’s exuberant production of the award-winning musical-comedy (book by Douglas Carter Beane, music and lyrics by Jeff Lynne and John Farrar) delivers an uproarious parody of both disco culture and the cult-classic film.

The ensemble of Delaware Shakespeare Festival’s HAMLET (Photo credit: Alessandra Nicole)

HAMLET (Delaware Shakespeare Festival): “’Fore God, my lord, well spoken . . .”

While “Something is rotten in the state of Denmark,” something is wonderful in the state of Delaware! With its unsurpassed examination of the human condition, profound emotions, and exquisitely beautiful language, HAMLET is considered by many (myself among them) to be the world’s greatest play by the world’s greatest playwright.

THE TWO GENTLEMEN OF VERONA (Pennsylvania Shakespeare Festival): Fickle Love and an Irresistible Canine

Contrasting the giddy inconstancy of youthful passion with the unconditional love for and the stolid fidelity of a pet dog, THE TWO GENTLEMEN OF VERONA—one of the Bard’s earliest works—is a delightful rom-com/bromance (descended from the medieval genre of male friendship literature) that offers the perfect entertainment for a summer audience. And the Pennsylvania Shakespeare Festival’s production, as directed by the ever-masterful Matt Pfeiffer, strikes the perfect balance between the comedy’s irrepressible fun and playfulness and its more serious message about regret, repentance, forgiveness, and camaraderie.

Forrest McClendon and Chivas Michael star in Center Stage’s production of WILD WITH HAPPY (Photo credit: Richard Anderson)

WILD WITH HAPPY (Center Stage, Baltimore): All That and More!

Cathartic, camp, and euphorically uplifting, WILD WITH HAPPY—Philadelphia native Colman Domingo’s madcap adventure with death and grief, love, loss, and sexuality—keeps you laughing while tugging at your heartstrings and ardently reaffirming the joy of life. That’s quite an accomplishment, and Center Stage’s Baltimore premiere is quite a production.

SoLow Internet Stalker

SoLow Fest: INTERNET STALKER (Corinna Burns) and BORTLE 8 (Chris Davis)

Corinna Burns’ INTERNET STALKER and Chris Davis’ BORTLE 8 is the perfect pairing of “two shows one roof” (not under, but on) in this year’s SoLow Fest. Each writer/performer is…

Promotional image for New City Stage Company’s WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE by Voices for a New City Ensemble (Photo credit: Courtesy of New City Stage Company)

WHAT HAPPENS IN THE WHITE HOUSE, STAYS IN THE WHITE HOUSE (New City): A New Perspective on First Families

New City Stage Company’s West Wing Festival on presidential politics concludes with a satirical take on the past and future occupants of the White House. Imaginative, amusing, and cynical, it considers how their private relationships and distinctive personalities might have impacted our history and could influence world affairs.

Erik Ransom (Photo credit: David J. Martin Photography; Warholization by Deb Miller)

Erik Ransom Takes New York by Storm!

New Jersey native Erik Ransom developed a huge following in Philadelphia with his original work COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS, for which he wrote the book, music, and lyrics, and also starred as glam-rock protagonist Damian Salt.

(Left to right) Adam Hoyak, Nicholas Park, Billy Kametz, Michael Linden, and Robert Hager in 11th Hour’s ALTAR BOYZ (Photo credit: John Flak)

ALTAR BOYZ (11th Hour): Raising the Praise!

The fast-paced spoof about a boy band saving the souls of an audience of sinners on the last stop of their “Raise the Praise” tour is filled with witty references to the Bible, the Passion of Christ, and the Catholic liturgy. The Boyz—aptly named Matthew, Mark, Luke, Juan, and Abraham–proselytize to prospective believers in real time through their songs, employing post-modern technology, current slang, and choreographed moves that gently skewer such popular acts as the Backstreet Boys and ‘N Sync.

Justin Rose is featured in BRAT’s ALWAYS COMING SOON: THE FUTURE (Photo credit: Plate 3 Photography)

ALWAYS COMING SOON: THE FUTURE (BRAT Productions):  Alternative Cabaret with a Timely Message

Vaudeville, bouffon, and circus meet progressive rock in BRAT Productions’ ensemble-devised cabaret performance ALWAYS COMING SOON: THE FUTURE. It’s a compelling combination that entertains, mocks, and provokes through BRAT’s signature high-energy music, intriguing visual design, and dynamic physical theater which begins the moment you enter the venue as aggressive carnival buskers hawk popcorn, drinks, and breaths of fresh air to the incoming audience.

David M. Lutken stars as Woody Guthrie in WOODY SEZ at People’s Light & Theatre Company (Photo credit: Mark Garvin)

WOODY SEZ (People’s Light & Theatre Company): A Down-Home Musical Revue on the Life of Woody Guthrie

A touring revue on American singer/songwriter Woody Guthrie (1912-67), WOODY SEZ—on the road for seven years and now on stage at People’s Light & Theatre Company in Malvern—is an eminently likeable concert biography for fans of the respected folk musician and activist for the disenfranchised. Featuring 27 of Guthrie’s most famous songs (including his populist American anthem “This Land Is Your Land”) interspersed with snippets of his life story and folk wisdom, the show traces the highlights and low points of his times, [. . .]

Andrew McMath stars in Bristol Riverside Theatre's LITTLE SHOP OF HORRORS (Photo credit: BRT staff) 

LITTLE SHOP OF HORRORS (Bristol Riverside Theatre): Don’t Feed the Plants!

The outlandish parody of the horror and sci-fi genres, now in production at Bristol Riverside Theatre, still elicits laughs and gasps from appreciative audiences and delights with a score of period-style rock, Motown, and doo-wop numbers. BRT’s show, directed with spot-on timing by Susan D. Atkinson, embraces all the retro-camp in the story of Seymour Krelborn

Amanda Grove, Jessica Gruver, and Amanda Schoonover star in Luna Theater Company’s BRAINPEOPLE (Photo credit: Gregory Scott Campbell)

BRAINPEOPLE (Luna): A Haunting Invitation to Dinner

Concluding its 2013-14 themed season “Once upon a Time,” Luna Theater Company’s 80-minute Philadelphia premiere of BRAINPEOPLE, told in real time, is mysterious, disturbing, and challenging; but then director Gregory Scott Campbell was never one to avoid a challenge