There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
Featuring young talents and Zlatina’s storytelling choreography, BARRY is a show with heart and love, quick on its feet.
PETER RABBIT TALES (Enchantment): Enchanting world-class children’s theater An original adaptation of Beatrix Potter’s beloved children’s stories is told through expressive movement, music, and voice-over narration, with colorful costumes, masks, and puppetry. 
PLANT ME HERE (Brat): Sound and fury Brat Productions’ PLANT ME HERE presents a saccharine dream of ruin and rebirth. 
UNCLE VANYA (Quintessence): Tedious boring people Good productions of Chekhov remind us of how vital his work still can be. Bad productions feed the narrative that his plays are dated, charmless, and inconsequential. 
The Artist’s Garden (PAFA): Watch the women bloom A new exhibit steps into the Garden Movement of American art. 
“New York-caliber actors”: How NYC-centrism hurts regional theater A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York 
C.S. Lewis’s The Screwtape Letters is more overtly religious than his allegorical children’s books.
