There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
Featuring young talents and Zlatina’s storytelling choreography, BARRY is a show with heart and love, quick on its feet.
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Yo Philly, No More Safe Bullshit Excerpted from gchat conversations between Christopher Munden and John Rosenberg. 
WOLFCRUSH: a queer werewolf play (On the Rocks): 2018 Fringe review WOLFCRUSH misses the no-holds-barred humor, shock value, and pop culture-infused insight into youth culture of playwright Haygen-Brice Walke... 
COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcomin... 
Murals, Facades, & Other Lies Everyone knows the murals in Philadelphia suck balls, right? 
real straight up and down motherfucking talented artists i love love love love love love love love love philadelphia. 
Drury’s funny, traumatic, inventive and timely play will stab at you, personally, at least once. She asks whether it is important that a story be told, or if it is more important that it be told in a certain way. She uses the events in Namibia to illustrate the cracks in our own culture, the divides caused by racial issues even among a group of people who would probably all vote for the same candidate.. more…
