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Dance in Sketch: Faye Driscoll’s THANK YOU FOR COMING: PLAY (FringeArts)

The narrative of the play dances around anxiety, narcissism, and companionship, and the cards let truth be told.

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Dance in Sketch: Jessica Lang Dance (NextMove)

The program was quick and accumulative, with short pieces creating a common theme.

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Theater in Sketch: ANNA (EgoPo)

A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.

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Theater in Sketch: THE KING AND I (Academy of Music)

HE KING AND I is set in a time period of colonies and colonials.

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Dance in Sketch: LES BALLETS TROCKADERO DE MONTE CARLO (Prince Theater)

Les Ballets Trockadero de Monte Carlo has made its trademark to have male dancers crossdress in tutus. NextMove Dance brought the company’s signature style to the Prince Theater March 8-12, 2017.

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Opera in Sketch: DOCTOR ATOMIC (Curtis) + BLUEBEARD’S CASTLE (Philadelphia Orchestra)

The stillness in the endings for both Bartok’s BLUEBEARD’S CASTLE and John Adam’s DOCTOR ATOMIC at The Kimmel Center this past weekend left me with a clear image for, “all’s fair in love and war.”

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Performance in Sketch: NICE AND FRESH (Automatic Arts)

Last weekend Moving Arts of Mount Airy witnessed a gathering artists connecting subjects to their own artistic voices

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Dance in Sketch: MALPASO DANCE COMPANY (NextMove Dance)

The Cuban dancers of Malpaso Dance Company evoke the Cuban experience through an interplay of color and shadow.

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Theater in Sketch: THE ENCHANTED (IRC) and A DOLL’S HOUSE (Swarthmore)

Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.

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ROMEO & JULIET (Media): A Rose of any other name

The lights show a bare stage; the set is two dilapidated buildings with scaffolding. The curtains intermittently change from day to night with a transient light. The place is Verona,…

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Dance in Sketch: DOUG VARONE AND DANCERS (NextMove)

oug Varone and Dancers presented three different dances

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Theater in Sketch: Chris Davis in ONE-MAN APOCALYPSE NOW

The setting is Vietnam and we are just waking up at the voice of Martin Sheen.

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Theater in Sketch: ENTER LAUGHING (Players Club of Swarthmore)

This meta-play within a play is clever and ridiculous.

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Circus in Sketch: Previewing CIRQUE ELOIZE

At a sneak peak of he cast of the circus that is coming to Merriam Theater January 13-14, 2017, Cirque Eloize performed for the kids of Children’s Hospital of Philadelphia and brought some real laughs and smiles for all.

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Pantomine in Sketch: SLEEPING BEAUTY (People’s Light)

Sleeping Beauty the Musical Panto by Peter Pryor and Samantha Reading expresses an ageless story. It is an artistic exploration into space, time, and sound.

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Dance in Sketch: More from Annie Wilson’s AT HOME WITH THE HUMORLESS BASTARD (FringeArts)

Events like AT HOME WITH THE HUMORLESS BASTARD need to happen more often. It isn’t just dance; it is socially provocative artwork.

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Theater in Sketch: ALL’S WELL THAT ENDS WELL (PAC)

Sketches of William Shakespeare’s ALL’S WELL THAT ENDS WELL from Philadelphia Artists’ Collective.

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Dance in Sketch: AT HOME WITH THE HUMORLESS BASTARD

“Is this a dance performance or a social experiment?”

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Theater in Sketch: JEAN & TERRY

Philadelphia artist Melissa Krodman and long-time collaborator Kelly Bond enter the mind’s eye for an experimental new play.

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Dance in Sketch: Koresh Artists’ Showcase November Series

Drawing dance is a challenge. It is difficult to capture gesture, for example, because it is always changing. Modern dance provides a new means to an abstracted form of story telling. Each performance left me with a different feeling: bizarre, savage, sweet and tender, sensual, and empowering.