Playwright Patrick Ross, who gives us a history of sexism, quotes and references to literature and mythology, and plenty of Hawthorne in a smartly woven one-woman show
Rev Shakes’ annual mainstage productions begin the final weekend of the Fringe and showcase a sensibility at home in the festival
It’s “like Hamlet”, with all the key plot points, “only scrambled” in a light-hearted Commedia dell’arte of masks, jokes, music, and puppets.
Zornitsa Stoyanova asks us to consider the female body as embodiment of generations of ancestral procreation, a host for the alien parasites of new generations, and—through a glass, darkly—as a sexual object.
Way Off Broad St. Theater Company justify the festival inclusion of this modern classic with a site-specific setting in a chapel of the Arch Street United Methodist Church and a solid take on an excellent play.
AMH Productions finds the humor and poignancy in Keller’s quietly affecting consideration of race, class, and human connection
Gunar Montana’s choreography is seriously energetic, more downright sexual than subtly sensual.
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
Museums are always looking for ideas to bring new visitors to aging attractions, and in ARTSHIP OLYMPIA Independence Seaport Museum has found a charming, fringey way.
Fringe is like Christmas without all the bullshit and not just because of all the hanging balls you see.
Like sad lyrics to a happy beat. this 20-minute one-woman show takes an idiosyncratically personal look at human sadness in its many guises.
Our nearest neighbor, the red planet has a strong gravitational hold over us earthlings. Dani Solomon tells us about her trip there this Fringe.
This Info Will Fucking Dare You: Mary McCool, Brad Wrenn, and Lee Minora bouffon it up at Plays & Players this Fringe
If you dig imaginative and funny collaborative solo shows, Plays & Players theater is the place to go this Fringe Festival.
During WWII Brendan Tetsuo’s grandparents were interned in a camp in Topaz, Utah, a family legacy which led him to create his Fringe show WALK TO TOPAZ,
Is Lady Macbeth mad? Who has people figured out: Shakespeare or Freud? Answers from the folk behind BEDLAM: SHAKESPEARE IN REHAB
THE LONG TIDES weaves clown, movement, audience participation and narrative in a poignant audit of how we spend our minutes.
Brett Mapp knows his Fringe. His itinerary would be a good starting point for anyone considering what to see.