A Dolls House Part 2 Arden theatre review

A DOLL’S HOUSE, PART 2 (Arden): After the slam

Lucas Hnath takes up Nora’s story fifteen years after the events of Henrik Ibsen’s classic play.

MR BURNS (Wilma): Darkness on the edge of Springfield

Civilization has collapsed but The Simpsons is still going.

Cooking Up Theater and Indian Food: Shreshth Khilani talks Immigrant Kitchen

Traverse a culinary landscape marked by family memories and ancient myth

Josh Hitchens

“Anything might be there in the dark”: Josh Hitchens talks fear, ghosts, and horror theater

Never underestimate the power of taking away the lights. Then anything might be there in the dark.

10 Ways YOU Can Improve Theater Criticism

Actions you can take since you’re upset with theater criticism in Philadelphia.

Sweat Philadelphia theater review

SWEAT (PTC): What’s the matter with Reading?

Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?

Mule for Hire: John Rosenberg returns to Philly with some hella fresh theater

Our favorite DIY theatermaker returns to Philadelphia with a new play that probably won’t suck

PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review

Like a Joni Mitchell song, PAPRIKA PLAINS is intimate, artful, and affecting.

PHAEDRA’S LOVE (Svaha Theatre Collective): 2018 Fringe review

Two decades after her suicide, Kane remains one of the most truthful voices in theater. Svaha’s production captures her brilliance.

COCKTAIL PLAYS (Juniper Productions): 2018 Fringe review

Slightly buzzed from our gin-and-honey bees knees, we find the site-specific plays by a diverse group of local playwrights make for welcoming, accessible, easy-to-enjoy theater.

Recipes for a Great Night of Theater

One morning, a few weeks ago, Sonya Aronowitz sat at a bar in Fishtown, double-fisting cocktails.

KILL MOVE PARADISE (Wilma Theater): 2018 Fringe review

There’s no fourth wall here: the audience is complicit in the consideration of POC men who lost their lives to judicial murder

A VACATION (Poison Apple Initiative): 2018 Fringe review

Dante had Virgil; in the divine comedy of our times, we have a self-absorbed vlogger.

NIGHTMARE FUEL (Sarah Knittel): 2018 Fringe review

A punk-horror Fringe show which engages the audience and keeps the us engaged

Nick and Ben’s New Circus Jawn

Almanac cofounders spoke to Phindie about the Fringe Festival production and the state of contemporary circus in Philadelphia.

The Fringe is Beginning: On your phone

“Thus with a kiss I die.” But will you? The 2018 Philadelphia Fringe Festival kicks off for real tomorrow (some performances have already begun), but the fun has already started…

Taking A Vacation with Bastion Carboni

Bastion Carboni has quickly established his Poison Apple Initiative as a Fringe Festival instution

Solo Dance for People Who Don’t Like Solo Dance: Metal & Kind’s Indestructible Flowers

Republished by kind permission from the FringeArts blog This Fringe, two instructors at Philly’s dance studio Urban Movement Arts (UMA) combine their talents in a collage of new solo work…

Meg and Dana Are Troilus and Cressida in RevShakes Non-traditional Fringe Casting

. For their fifth Festival production, the company continues its tradition of producing fiercely modern takes on lesser-known Shakespeare works with Troilus and Cressida.