Peter DeLaurier in AN ILIAD at Lantern Theater Company. Photo by Mark Garvin.

AN ILIAD (Lantern): Homer sweet homer

AN ILIAD brings Homer’s characters and their epic struggle to life using just a sole narrator and musical accompaniment.

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A Philadelphian in AN AMERICAN IN PARIS: Colby Lindeman returns to his hometown on a Broadway tour

AN AMERICAN IN PARIS’s touring cast includes Philly local Colby Q. Lindeman, a proud graduate of Philadelphia High School for Creative and Performing Arts

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Let’s Talk About Sex, Baby: Katherine Perry returns with SEX TALK election special

SEX TALK once again turns musical theater tropes into sing-song gropes that will touch you in places only your partner—or favorite presidential candidate—should

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DELIRIUM (EgoPo): 60-second review

At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.

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Making Philadelphia Theater Great Again: Ken Brady’s THE LETTER H

What will future theatermakers and scriptwriters make of Donald Trump and his campaign. Ken Brady gets a head start.

Maboud Ebrahimzadeh as Bashir & Ian Merrill Peakes as Nick Bright. The Invisible Hand, Theatre Exile. Photo by Paola Nogueras.

And the winners are… 2016 Barrymore Awards

For the second year in a row, Theatre Exile led the pack with five Barrymore Awards for its production of The Invisible Hand

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Live Tweeting the Barrymores

Tonight is the ceremony for the annual Barrymore Awards for Excellence in Theater, and Phindie will be there, holding a cell phone and live tweeting about the gathering and the winners.

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Keen to Feed: Favorite tunes from Red 40 & the Last Groovement

Artists from Philly’s favorite clown-funk band pick favorite songs from their new album and the world of music

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Dinner Theater, Recooked

Irreverent local performers present two strange and sumptuous evenings of independent theater and comedy alongside food and cocktails

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GROUNDED (InterAct): The killing screens

GROUNDED is a tale for our times: war is most hellish when it resembles office life, reality is most profound rendered in pixels.

Paul Kuhn's scenic design for Curio's production of The Birds earned him  a well-deserved and long-overdue nomination.

THE BIRDS (Curio): Terror takes flight

This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters

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Thomas Choinacky Says There’s No Hope

The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.

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Philly’s Kinda Cool episode 2.1: We back!

Would Sebastian would rather sleep with Hillary or Donald, what the hell his Fringe show was about, and what’s the worst way to cook an omelette?

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Drone Warfare Hits Home: Kittson O’Neill on InterAct’s GROUNDED

Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.

Photo by Joanna Austin/ AustinArt.org.

HOW WE GOT ON (Azuka): A rapper’s delight straight outta the suburbs

Idris Goodwin’s play displays the same playful humor, poetic intelligence, and human insights as the early hip hop music it salutes.

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RIZZO (PTC): A larger-than-life life onstage

An entertaining work about a compelling character, RIZZO displays pitfalls common to biographical drama.

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KING JOHN (Revolution Shakespeare): 2016 Fringe review 88

You won’t get many opportunities to see KING JOHN; you’re unlikely to see one as well-rendered as Revolution Shakespeare’s.

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SCARLETT LETTERS (Ross & Diggs): 2016 Fringe review 81

Playwright Patrick Ross, who gives us a history of sexism, quotes and references to literature and mythology, and plenty of Hawthorne in a smartly woven one-woman show

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The Bastard of KING JOHN: Carlo Campbell on Revolution Shakespeare Fringe offering

Rev Shakes’ annual mainstage productions begin the final weekend of the Fringe and showcase a sensibility at home in the festival

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OMELETTO (Ombelico Mask Ensemble): 2016 Fringe review 77

It’s “like Hamlet”, with all the key plot points, “only scrambled” in a light-hearted Commedia dell’arte of masks, jokes, music, and puppets.