Charlie DelMarcelle. Photo by matthewjphoto.com

I AM MY OWN WIFE (Theatre Horizon): A story of perserverance

In Berlin in the wake of German reunification, American John Marks writes to his friend “Doug Wright” (I AM MY OWN WIFE’s playwright) about the eccentric Charlotte. Having “grown up gay in the Bible Belt”, Wright is fascinated by the transgender Berliner and spends grant money and savings to pay her a series of visits, hoping to turn his interviews into a play.

As related in act one of this short two-act piece, Charlotte’s tale fascinates Wright (and the Theatre Horizon audience).

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RFK (New City Stage): An American tragedy

Director Ginger Dayle and sound and video designer Ren Manley intersperse audio and visuals from the 1960s in New City Stage Company’s RFK, complementing Widdall’s powerful performance with a great soundtrack and contextualizing video clips. Following pre-show newsreels from JFK’s assassination, the play begins in 1964—eight months after the fateful day in Dallas.

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pictured: Cait O'Driscoll, photo credit: Erin Pitts

SLASHER (Figment): An improv horror

SLASHER is a one hour improv play in the vein of a B-movie horror. There’s an unnecessarily precautious “splash area” where the audience may be stained with stray stage blood. An audience member’s spin of a wheel dictates the setting and holiday (a school on Easter weekend, on opening night). If this sounds like a description of the kind of show you like to see, you’ll probably like SLASHER.

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