Brett Mapp is seeing 35 Fringe shows in 20 days. His itinerary makes a good starting point for considering your own schedule.
In Judgment of Wrongs: A biting premiere on American injustice launches Kash Goins’s residency at the Arden
In 2016, Philly playwright Kash Goins took a look at the human costs of mass incarceration in his nuanced, intimate original drama V to X (five to ten). For ten…
What to see at the 2017 Philadelphia Fringe Festival
Phindie met Katherine and Sarah online to get the lowdown on their collaborative project
Philly theater creators experiment with physical theater, but use TV-type language. Julius Ferraro goes down a different path.
Shakespeare made simple, and simply fun.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
Philadelphia’s best revue of new performing arts returns for another season January 13 and 14, 2017, at Moving Arts of Mount Airy.
Among all these historic joys of 2016, Phindie continued its march as the leading site for independent coverage of Philadelphia theater and arts.
Choral Arts artistic director Matt Glandorf shares a little about the seasonal New Years Eve concert.
Chris Davis’s imaginative one-man play gets a deservedly professional staging as part of Tiny Dynamite’s A Play, A Pie, and A Pint series
End this strange year with some high notes as Choral Arts Philadelphia and the Philadelphia Bach Collegium present a rare performance of Bach’s Christmas Oratorio.
PAC’s current production confirms its reputation as the best adaptor of classic works.
Meehan and Collins use convincing Christopher Walken impressions in an intriguing look at how the fantasies of popular culture provide escape from our lives while they shape them.
For their debut production, Susanne Collins and Kevin Meehan looked to one of the most iconic actors of contemporary cinema: Christopher Walken.