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Back to Prison: Playwright Kash Goins on his reprised play V to X at Arden Theatre

Kash Goins talks to Phindie about the new production of his acclaimed prison drama and the Arden’s coming season.

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Oscar-Winning Movies Don’t Come From Plays Anymore

No published or produced play has been the source for a Best Adapted Screenplay award since 1989.

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LOVE, LIES AND TAXIDERMY (Inis Nua): To Wales with love

Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.

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MR BURNS (Villanova): The future in three acts

What would 21st-century American culture look like if all we knew about it was told generations after an apocalypse

Frank X and Johnnie Hobbs, Jr., in WAITING FOR GODOT from Quintessence. Photo by Shawn May.

WAITING FOR GODOT (Quintessence): Really absurd

Quintessence Theatre Group’s WAITING FOR GODOT strikes a balance between humor and pathos, between realism and ridiculousness.

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A DOLL’S HOUSE (Arden): Ibsen for our times

A timelessly relevant damnation of our human falsehoods is also an au courant commentary on sexism.

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Frankenstein’s Author: Jennifer Summerfield on her new show MARY SHELLEY

This month, actor Summerfield showcases another side of her talents with MARY SHELLEY, a solo performance she created for rare book museum the Rosenbach.

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2018 Theater Preview: Curio Theatre Company

The gem of West Philadelphia, Curio Theatre Company continues to impress with its literary adaptations and productions of classic and contemporary theater.

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2018 Theater Preview: FringeArts

The company that brings us the Philadelphia Fringe Festival keeps the Fringe coming all year long with presentations by inventive local and visiting artists.

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2018 Theater Preview: InterAct Theatre Company

Interact Theatre Company continues to produce provocative contemporary plays exploring relevant political issues.

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Best of 2017: Phindie articles you loved in the last year

The most-read Phindie articles of 2017

David Ingram, James Ijames, and Charlotte Northeast in THE BROWNINGS, November 2017. Photo by Plate 3 Photography.

THE BROWNINGS (Orbiter 3): Let me count the f%&*ing ways

In a heartfelt moment, Elizabeth Barrett Browning tells her poet-husband, “I’m going to dip your cock in laudanum and fuck you til i’m high”

Rehearsal was beginning to take off and each dancer has their own way of preparing. Some dancers are more relaxed and others are stretching. Sketch by Chuck Schultz.

Dance History Onstage: Pioneering dancers Brigitta Herrmann and Manfred Fischbeck in BEAUTIFUL DECAY

Nicolo Fonte’s choreography for Beautiful Decay includes parts for two older dancers, Brigitta Herrmann and Manfred Fischbeck. Sketches by Chuck Schultz.

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CRIMES OF THE HEART (Curio): Deliciously dark Southern fare

Beth Henley’s play remains relevant because its central characters feel so vibrantly human

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THE CRAFTSMAN (Lantern): Crafting a good story

Now in its world premiere from Lantern Theater, the latest play by Philly’s favorite playwright Bruce Graham is based on a true story. It’s a great story.

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THE GAP (Azuka): Self-discovery onstage

By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.

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BLOOD WEDDING (Wilma): Movement in the veins

Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.

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Phindie will be Live Tweeting the 2017 Barrymore Awards

Tonight is the ceremony for the 2017 Barrymore Awards for Excellence in Theater, and Phindie will be there, holding a cell phone and live tweeting about the gathering and the winners….

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Devil May Care: Acrobatic comedian Nick Gillette gives demon summoning a go

Storyteller and acrobat Nick Gillette is best known for his work with Almanac Dance Circus Theater, which he cofounded in 2013. But he also dabbles in comedy and demon summoning….

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IDEATION (Theatre Exile): How to succeed in business

The sterile corporate-speak of modern business pervades Aaron Loeb’s darkly comic contemporary play