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Local playwright makes good: An interview with Jacqueline Goldfinger

It’s been a banner month for local playwright Jacqueline Goldfinger.

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Soloists of the Metropolitan Opera (Philadelphia Chamber Music Society): The cream of the crop

Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.

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Inon Barnatan in recital (Philadelphia Chamber Music Society): Variation as the theme

Pianist Inon Barnatan stepped in for an ailing colleague, offering an exquisite and inventive recital that explored musical variations.

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WHITE (Theatre Horizon): Representation matters

Playwright James Ijames offers a searing examination of the commodification of black experience.

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Anthony Heald in GYPSY: Journeyman actor makes his way to Philadelphia

In a casting coup, Anthony Heald has come to Philadelphia to play Herbie in GYPSY at Arden Theatre.

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LA RONDINE (Curtis Opera Theatre): Puccini’s elusive swallows flies to Philly

Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.

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Marriages of Figaro: Opera Philadelphia stars are partners on and off stage

Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.

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THE PRISONER OF ZENDA (Hedgerow Theatre): 60-second review

A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity

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How should Philadelphia Theatre Company rebrand itself?

Cameron Kelsall has some ideas for the new executive director.

OSLO on Broadway.

“New York-caliber actors”: How NYC-centrism hurts regional theater

A recent article on Philly.com displays a falls into a reductive yet prevalent view of theater as the province of New York