Renée Fleming has been at the forefront of classical music for three decades.
E. Ashley Izard tackles one of the most daunting roles in the American canon.
An inventive and terrifying take on a classic ghost story
The promise of “something for everyone” is both too little and too much.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
How can a radically plotless work communicate a complex and controversial theory?
For Molly Scullion, the only way out is through comedy.
Tina Brock and company make Ionesco’s absurd SOPRANO sing.
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
Why did People’s Light exhume this largely forgotten play from its well-deserved obscurity?
Philadelphia’s queen of comedy takes on a dark subject with humor and heart.
Larry Shue’s 1979 farce has seen better days.
A well-intentioned but dull play about an important legal program in Philadelphia.