“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to NO INTRODUCTION Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you? 
PlayPenn, Theater, and “A comfortable place for misfits”: Interview with founder Paul Meshejian, Part 1 It’s unfashionable to suggest there’s such a thing as human nature, but we are “Homo narrans”—Man, the story teller. The theater will always be with us—as a sacred space. 
Octavius Catto and the Pythians of Philadelphia But black baseball in Philadelphia has roots that go back to the end of the Civil War. 
The family friendly holiday panto takes a wacky look at the growing pains of the future King Arthur as he faces the challenges of life, learning, and leadership.
