“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…
COLLECTED STORIES (Act II): Friendship in the real world As we enter the season of unpredictable weather, go to Act II to get their take on the warm and fuzzies mixed with the cold shoulder. 
PETITE MORT and World Premieres (Pennsylvania Ballet): Lamentation and Revolution The exuberant choreography was spectacular, the dancers striking, and the dramatic finale stirred the viewers’ imagination. 
WARPLAY (Azuka): A playground at the gates of Troy Not quite “Sing, oh muse, of the rage of Achilles.” 
KING KONG (Broadway Theatre): Going ape on Broadway We like our fantasies to be readily identifiable as such and to be realistic in their details. 
THE HARASSMENT OF IRIS MALLOY (People’s Light): A male perspective on the socio-economics of sexual politics A world-premiere play about sexual misconduct, politics, lies, and opportunism considers the economic hardships on single mothers in a cultu... Support Phindie operations
Revolution Shakespeare (dedicated to new approaches to the playwright) and Hear Again Radio Project (specializing in the recreation of vintage radio programs) have teamed up for an entertaining presentation of the popular graphic novel series KILL SHAKESPEARE. more…
