“It doesn’t take a man to play the role of Bottom,” says veteran actor Susan Wefel, who is playing one of Shakespeare’s most ridiculous fools. “It can be a woman.”
“It’s easier to fix than to create,” says director and adapter Matt Tallman of Anthony Hope’s THE PRISONER OF ZENDA running March 30 to April 30 at the historic Hedgerow…
CABARET Couple: Talking to the married stars of a Broadway tour Roundabout Theatre Company's Tony award-winning production of CABARET will make its Philadelphia premiere at the Academy of Music April 4-9 
ROMEO AND JULIET (Royal Ballet): Live ballet at the cinema A live recording from Royal Opera House gives American audience a rare chance to see a classic ballet 
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2 o subtitles necessary to hear praises sung for women astronomers of the late 19th century. 
THE IMPORTANCE OF BEING EARNEST (Walnut): A trivial comedy for serious people Walnut Street Theatre’s delectable production of THE IMPORTANCE OF BEING EARNEST finds just the right tone and style. 
Making Dreams Happen: The closing of the Shubin Theatre The much-loved little Shubin Theatre is closing. Rich Rubin shares his memories and thoughts. Support Phindie operations
Philly-based choreographer and dance impresario Jaamil Olawale Kosoko is a busy man these days—creatively, curatorially, and administratively. He recently changed the name of his company from Kosoko Performance Group to The Philadiction Movment to herald in a new era for the company, has been performing and touring with his company and with Headlong Dance Theater, and he has just published a book of his poems titled Notes on an Urban Kill-Floor. But wait, there’s more! more…
