Becoming THE WHALE: Scott Greer puts on pounds for Theatre Exile show [photo essay]
For THE WHALE, Scott Greer takes an hour putting on his 50 pound costume. The photo essay looks at the elaborate costuming process.
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THERE (Wilma): 2019 Fringe review Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral 
LATE NIGHT SNACKS: Stephanie Blythe (Bearded Ladies): 2019 Fringe review Stephanie Blythe as Blythely Oratonio performing at LATE NIGHT SNACKS 
A MANAYUNK MYSTERY TOUR (Manayunk Theatre Company): 2019 Fringe review Shadowy figures lurk on the dark towpath under the Green Lane Bridge. That would be us. 
ATRYTONE/FIXED (Wings of Paper): 2019 Fringe review Two worthwhile new works of exploration by Alice Hakvaag and Michael Stahler. 
IS THIS A ROOM (Tina Satter/Half Straddle): 2019 Fringe review A brilliant production by Half Straddle based on an FBI transcription
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From the archives…
CREDITORS (Philadelphia Artists’ Collective): Everything Great Theater Should Be
August Strindberg’s CREDITORS is a revenge tragedy of classic proportions, a modern descendant of the ancient Greeks and Shakespeare. His unnerving story of a love triangle in late 19th-century Sweden is intense and brutal, yet sprinkled with passages of laughable behavior and pronouncements. Its production requires a company that is up to the task of conveying its profound emotions, performing its psychological dissections, and meeting its physical demands, while still being effective in delivering its humor and irony. more…
